{"title":"“罩政治”","authors":"R. Spradlin","doi":"10.33043/s.9.1.41-50","DOIUrl":null,"url":null,"abstract":"This paper explores the possibility of music to transformthe way we understand each other. In particular, it looks at thegenre of hip-hop and the ways in which it can serve as a vehicle forunderstanding black experience. I argue that hip-hop’s structuralelements allow artists to convey their living narrative in a way thatrecognizes, challenges, and changes our conceptual understandingof the black body. Using the works of Darby English and HarryNethery, I examine hip-hop and apply their arguments to twospecific rappers in order to illustrate my argument.","PeriodicalId":375047,"journal":{"name":"Stance: an international undergraduate philosophy journal","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Hood Politics\\\"\",\"authors\":\"R. Spradlin\",\"doi\":\"10.33043/s.9.1.41-50\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper explores the possibility of music to transformthe way we understand each other. In particular, it looks at thegenre of hip-hop and the ways in which it can serve as a vehicle forunderstanding black experience. I argue that hip-hop’s structuralelements allow artists to convey their living narrative in a way thatrecognizes, challenges, and changes our conceptual understandingof the black body. Using the works of Darby English and HarryNethery, I examine hip-hop and apply their arguments to twospecific rappers in order to illustrate my argument.\",\"PeriodicalId\":375047,\"journal\":{\"name\":\"Stance: an international undergraduate philosophy journal\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-09-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Stance: an international undergraduate philosophy journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33043/s.9.1.41-50\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Stance: an international undergraduate philosophy journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33043/s.9.1.41-50","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This paper explores the possibility of music to transformthe way we understand each other. In particular, it looks at thegenre of hip-hop and the ways in which it can serve as a vehicle forunderstanding black experience. I argue that hip-hop’s structuralelements allow artists to convey their living narrative in a way thatrecognizes, challenges, and changes our conceptual understandingof the black body. Using the works of Darby English and HarryNethery, I examine hip-hop and apply their arguments to twospecific rappers in order to illustrate my argument.