20世纪10年代古布未来主义者的文学声誉

S. Kazakova
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引用次数: 0

摘要

本文分析了20世纪10年代立体未来主义者自我推销的创作策略。作者的目标是调查用来形成“吉列”集团的文学声誉的方法,基于对以美化创作行为而闻名的立体未来主义者的表演的发表评论。研究立体未来主义者在媒体中的形象以及他们与媒体之间产生的冲突是非常重要的。作者认为,立体未来主义者故意形成了流氓的文学名声,他们的创作行为表现出对丑闻的态度。这一形象被媒体复制,与媒体的冲突关系是古巴未来主义者自我推销策略的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Literary Reputation of the Cubo-Futurists in the 1910s
The paper analyzes the creative strategy of cubo-futurists for self-promotion in the 1910s. The author’s goal was to investigate the methods used to form the literary reputation of the “Gilea” group, based on published reviews of the performances of cubo-futurists known for aestheticizing creative behavior. It is important to study the media image of cubo-futurists in the press and the conflicts that arise between them and the media. The author comes to the conclusion that cubo-futurists deliberately formed the literary reputation of hooligans, their creative behavior was characterized by an attitude towards scandal. This image was replicated by the press, conflict relations with which were part of the Cubo-Futurists’ strategy of selfpromotion.
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