阿利舍尔·纳沃伊诗歌中的艺术技巧问题

Dilorom Isomiddin kizi Salokhiy
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摘要

本文论述了阿利舍尔·纳沃伊的艺术技巧及其抒情风格存在的问题。作者从他自己创作和编辑的诗集《Badoy ul-Bidoya》(《罕见的开始》)、《Navadyr un-nihoya》(《结束的开始》)和《Khaza 'ine ul-Maani》(《思想的宝藏》)的素材分析了诗人抒情风格的独创性。诗人的艺术美学观最生动地体现在他塑造抒情英雄形象的艺术手法上,体现在对阿鲁兹技巧的运用上,也体现在对社会内容的抒情诗上。在纳瓦伊诗集中,造物主的赞美诗占有广泛的地位,反映了东方宗教思想的先进思想。诗人在诗中表达了超越民族、种族、原始宗教、意识形态障碍的人性反思,赞美人,为人的精神完善服务。纳瓦伊诗歌的主要标准之一是它反映了苏菲主义的积极思想,诗人属于苏菲派Naqshbandia
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ISSUES OF ARTISTIC SKILLS IN THE POETRY OF ALISHER NAVOI
The article discusses the artistic skill of Alisher Navoi and the problems of the poet’s lyrical style. The author analyzes the originality of the poet’s lyrical style on the material of his own collections of poems composed and edited by his own - “Badoy ul-Bidoya” (“Rare Beginnings”), “Navadyr un-nihoya” (“The Beginnings of the End”) and “Khaza’ine ul-Maani” (“Treasure of Thoughts”). The poet’s artistic and aesthetic views are most vividly reflected in his artistic techniques to create the image of the lyrical hero, in the application of aruz technique, also in the verses of social content. In the collections of Navai poems, the Great Creator’s ghazal praises, reflecting the advanced ideas of Eastern religious thinking, occupy a wide place. In them, the poet expresses his humane reflections, which go beyond national, racial, primitive-religious, ideological barriers and praise the person, serve for his spiritual perfection. One of the main criteria of Navai’s poetry is its reflection of the positive ideas of Sufism, the poet’s belonging to the Sufi Naqshbandia
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