电影《黑豹》中的家、归属感和非洲性

R. Bashonga
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引用次数: 0

摘要

这篇文章用电影《黑豹》来探讨家庭、身份和归属的概念,因为这些与种族和非洲人有关。《黑豹》更积极地表现了黑人的身份和文化,这在流行文化中是普遍缺乏的。在这一成就的基础上,本文探讨了非洲侨民的种族和国家身份之间的紧张关系,因为非洲性和归属感的概念被移民打乱了。种族对美国黑人来说是最重要的身份,因为它标志着差异、从属和压迫,而对《黑豹》中的瓦坎达人来说,国家身份更重要,也是自豪感的来源。当考虑到与散居、历史和文化联系的关系时,关于非洲性的想法需要在变化和差异的同时,考虑到真实的压迫形式,承认某些群体一再受到压迫,而不是假设当地的历史是普遍的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Home, Belonging and Africanity in the Film Black Panther
This essay uses the film Black Panther to explore notions of home, identity, and belonging as these relate to race and being African. Black Panther added a more positive representation of Black identity and culture which is generally lacking in popular culture. Building on this achievement, the essay engages with the tensions between racial and national identities for the African diaspora, as Africanity and notions of belonging are disrupted by migration. While race is the identity of primary importance for Black Americans due to its role in marking difference, subordination, and oppression, for Wakandans in Black Panther national identity is more significant and a source of pride. When considered in relation to the diaspora, history, and cultural connectedness, ideas about Africanity need to hold real forms of oppression alongside change and difference, acknowledging that certain bodies have been repeatedly oppressed, without assuming that local histories are universal.
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