{"title":"第21章“这里——就在这里——我们站过的地方”:p.p. Waldenström《1896年朝圣者游记》中的摄影启示Österland","authors":"Magnus Bremmer","doi":"10.1515/9783110639476-022","DOIUrl":null,"url":null,"abstract":"The invention of photography was presented to the world in 1839. One of the first cities to be extensively documented by the new medium was Jerusalem; all due to its religious importance. Visualizing the Holy City in photographs turned out to be a complex project, where the divinity of the place collided with the brute realism of the medium. Photography, however, also opened up new possibilities for animating the divine presence of the place to a wide audience. In this chapter, we follow minister Paul Peter Waldenström on his journey to the Holy land, as described in his 800-page, photographically illustrated travelogue Till Österland [To the East] (1896). In Waldenström ’ s literary pilgrimage, the mechanical medium is used as a means of bringing readers closer to the actual sites, playing upon the alleged transparency of the medium — in the end, staging a kind of photographic revelation before the reader ’ s eyes.","PeriodicalId":431574,"journal":{"name":"Tracing the Jerusalem Code","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Chapter 21 “Here – right here – where we stood”: Photographic Revelations in P. P. Waldenström’s 1896 Pilgrim Travelogue Till Österland\",\"authors\":\"Magnus Bremmer\",\"doi\":\"10.1515/9783110639476-022\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The invention of photography was presented to the world in 1839. One of the first cities to be extensively documented by the new medium was Jerusalem; all due to its religious importance. Visualizing the Holy City in photographs turned out to be a complex project, where the divinity of the place collided with the brute realism of the medium. Photography, however, also opened up new possibilities for animating the divine presence of the place to a wide audience. In this chapter, we follow minister Paul Peter Waldenström on his journey to the Holy land, as described in his 800-page, photographically illustrated travelogue Till Österland [To the East] (1896). In Waldenström ’ s literary pilgrimage, the mechanical medium is used as a means of bringing readers closer to the actual sites, playing upon the alleged transparency of the medium — in the end, staging a kind of photographic revelation before the reader ’ s eyes.\",\"PeriodicalId\":431574,\"journal\":{\"name\":\"Tracing the Jerusalem Code\",\"volume\":\"37 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Tracing the Jerusalem Code\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9783110639476-022\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tracing the Jerusalem Code","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9783110639476-022","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摄影术的发明于1839年问世。耶路撒冷是最早被新媒介广泛记录的城市之一;这都是由于它在宗教上的重要性。将圣城视觉化的照片变成了一个复杂的项目,这个地方的神性与媒介的残酷现实主义发生了冲突。然而,摄影也开辟了新的可能性,将这个地方的神圣存在动画化,呈现给广大的观众。在本章中,我们跟随牧师保罗·彼得Waldenström踏上他的圣地之旅,正如他在800页的旅行日志Till Österland [to the East](1896)中所描述的那样。在Waldenström的文学朝圣之旅中,机械媒介被用作一种将读者拉近到实际地点的手段,利用媒介所谓的透明性,最终在读者眼前上演一场摄影式的启示。
Chapter 21 “Here – right here – where we stood”: Photographic Revelations in P. P. Waldenström’s 1896 Pilgrim Travelogue Till Österland
The invention of photography was presented to the world in 1839. One of the first cities to be extensively documented by the new medium was Jerusalem; all due to its religious importance. Visualizing the Holy City in photographs turned out to be a complex project, where the divinity of the place collided with the brute realism of the medium. Photography, however, also opened up new possibilities for animating the divine presence of the place to a wide audience. In this chapter, we follow minister Paul Peter Waldenström on his journey to the Holy land, as described in his 800-page, photographically illustrated travelogue Till Österland [To the East] (1896). In Waldenström ’ s literary pilgrimage, the mechanical medium is used as a means of bringing readers closer to the actual sites, playing upon the alleged transparency of the medium — in the end, staging a kind of photographic revelation before the reader ’ s eyes.