酒与牛排:罗兰·巴特散文中的味觉符号/能指解读

K. George
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引用次数: 0

摘要

罗兰·巴特的《神话》也许有一个独特的特点,它让符号学/文化研究学者或任何对法国殖民主义历史及其对“帝国”(特别是阿尔及利亚)的邪恶影响感兴趣的人感到困惑。尽管这篇文章有其局限性,但它还是想揭开一些在法国流行(在20世纪50 - 60年代,有时甚至与21世纪密切相关)的、表面上无害的“烹饪偏好”的神秘面纱。除了他的巨著外,我还将重点关注他关于同一主题(以及美食民族主义)的另一篇重要著作《走向当代食品消费的心理社会学》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Of Wine and Steak: Reading Gustatory Signs/Signifiers in Roland Barthes’ Essays
Roland Barthes’ Mythologies perhaps has the singular distinction of having baffled scholars of semiotics/cultural studies or anyone who has taken an interest in the history of French colonialism and its nefarious influence on the ‘empire’ (Algeria, in particular). This article despite its limitations, intends to demystify/unravel some ostensibly innocuous ‘culinary predilections’ in vogue (during the 1950s-1960s and in some cases even germane to the 21st century) in France. In addition to his magnum opus, I will focus on his other significant text on the same topic (and gastro nationalism), Toward a Psychosociology of contemporary food consumption.
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