Oktay Kara
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引用次数: 0

摘要

性别角色之间的所有关系都是权力斗争领域的参考。正如福柯所言,这一权力领域具有“无处不在”的特征。在这种背景下,父权社会结构赋予男性的特权通过将这种权力霸权包含在男性气质的形式中而存在。所有反对男性气质的性别形式实际上都是对这种力量的抵抗。本研究在当代法国哲学最重要的思想家之一米歇尔·福柯的权力概念框架内,通过电影《克勒贝克勒》(Tolga Karacelik, 2018)和《比齐·哈蒂拉》(Cagan Irmak, 2018)考察了霸权男性权力的普遍性。该研究通过将福柯对权力的理解与康奈尔和哈伯斯坦联系起来,并通过批判性话语分析对两部电影进行分析,特别寻求关于性别角色是如何创造的,它们的繁殖依赖于什么,以及男性气概的权力基于什么结构等问题的答案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
HEGEMONİK ERKEKLİK İKTİDARININ HER YERDELİĞİ: KELEBEKLER VE BİZİ HATIRLA
All relationships between gender roles are a reference to an area of power struggle. This area of power, as Foucault argues, has an "everywhere" feature within it. In this context, the privileges given to masculinity by the patriarchal social structure exist by including such hegemony of power in forms of masculinity. All forms of gender that fight against forms of masculinity in fact represent resistance to such power. In this study, the ubiquity of hegemonic masculinity’s power was examined through the films Kelebekler (Tolga Karacelik, 2018) and Bizi Hatirla (Cagan Irmak, 2018) within the framework of the conception of power of Michel Foucault, who is one of the most important thinkers of the contemporary French philosophy. The study particularly sought answers to questions about how gender roles are created, what their reproduction depends on, and what structure the power of masculinity is based on, by associating Foucault's understanding of power with Connell and Halberstam, and by analyzing both films via critical discourse analysis.
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