{"title":"玛丽亚·海地的诗作为一个纪念地","authors":"Sunhild Galter","doi":"10.2478/gb-2022-0006","DOIUrl":null,"url":null,"abstract":"Abstract The German-speaking Saxon minority from Transylvania, a region in Romania, has almost disappeared due to the historical events after World War II and the fall of communism in December 1989. Therefore, the literary work that was created before 1990 is often considered to be a “lieu de mémoire”, a place of remembrance, for the Saxon culture. This article deals with the question whether Maria Haydl’s short stories can be considered as such or do they show too much influence of the politically imposed writing style in order to be authentic.","PeriodicalId":183404,"journal":{"name":"Germanistische Beiträge","volume":"117 4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Maria Haydls Dichtung als Erinnerungsort siebenbürgisch-sächsischer Kultur?\",\"authors\":\"Sunhild Galter\",\"doi\":\"10.2478/gb-2022-0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The German-speaking Saxon minority from Transylvania, a region in Romania, has almost disappeared due to the historical events after World War II and the fall of communism in December 1989. Therefore, the literary work that was created before 1990 is often considered to be a “lieu de mémoire”, a place of remembrance, for the Saxon culture. This article deals with the question whether Maria Haydl’s short stories can be considered as such or do they show too much influence of the politically imposed writing style in order to be authentic.\",\"PeriodicalId\":183404,\"journal\":{\"name\":\"Germanistische Beiträge\",\"volume\":\"117 4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Germanistische Beiträge\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2478/gb-2022-0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Germanistische Beiträge","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/gb-2022-0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Maria Haydls Dichtung als Erinnerungsort siebenbürgisch-sächsischer Kultur?
Abstract The German-speaking Saxon minority from Transylvania, a region in Romania, has almost disappeared due to the historical events after World War II and the fall of communism in December 1989. Therefore, the literary work that was created before 1990 is often considered to be a “lieu de mémoire”, a place of remembrance, for the Saxon culture. This article deals with the question whether Maria Haydl’s short stories can be considered as such or do they show too much influence of the politically imposed writing style in order to be authentic.