订婚

Ben Schofield
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引用次数: 0

摘要

20世纪40年代,让-保罗·萨特(Jean-Paul Sartre)首次向更广泛的公众介绍了文学“参与”的概念,这可能是20世纪对我们对作者身份不断发展的理解最重要的贡献。作者应该如何在-à-vis他们时代的人类冲突中定位自己的问题仍然与以往一样相关。在本章中,本尼迪克特·斯科菲尔德分析了两位当代小说家罗伯特·梅纳斯和阿里·史密斯是如何发现21世纪独特的文学参与形式的,并将自己转变为斯科菲尔德所说的“文化政治家”。梅纳斯和史密斯的作品巩固了他们的创作者的要求,即他们被认真对待为文学作家,而不是名人,甚至是普通的公共知识分子。然而,两者都深刻认识到文学之外的因素有助于他们的大众吸引力,并利用这些因素来鼓动欧盟的加强和转型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Engagement
The idea of literary ‘engagement’, first introduced to a wider public by Jean-Paul Sartre in the 1940s, is perhaps the most important twentieth-century contribution to our evolving understanding of authorship. The question of how authors should position themselves vis-à-vis the human conflicts of their day remains as pertinent as ever. In this chapter, Benedict Schofield analyses how two contemporary novelists—Robert Menasse and Ali Smith—have found distinctively twenty-first-century forms of literary engagement, transforming themselves into what Schofield calls ‘cultural statespeople’. The works of Menasse and Smith cement their creators’ demands that they be taken seriously as literary authors, rather than as celebrities or even generic public intellectuals. Yet, both are deeply cognizant of the extra-literary factors that contribute to their popular appeal and use these to agitate for the strengthening and transformation of the European Union.
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