写一个不同的音乐学习故事

Chiao-Wei Liu
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摘要

最近,美国目睹了种族和文化动机事件的增加,这些事件继续挑战我们学校在建立一个更社会公正的国家方面的作用。鉴于这些问题,我们必须考虑学校音乐教育在解决与社会正义有关的问题方面所起的作用。在这个专栏中,我首先分享了一个与美国移民相关的类比的课堂对话,然后探讨了这些类比/故事的含义。受Chinua Achebe对文学及其与现实关系的分析的启发,我想问的是,我们在学校里讲述的关于音乐学习的故事是什么,这些故事服务于谁的兴趣,谁的声音/音乐享有特权?我建议,我们的学生音乐学习的多个故事可以作为对抗主导叙事的力量。最后,我提出了一些可供教师在课堂上适应的课程理念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Writing a Different Story of Music Learning
Recently, the United States has witnessed an uptick of racially and culturally motivated events that continue to challenge the role of our schools in creating a more socially just nation. In light of these issues, it is important that we consider what role school music education plays in addressing issues related to social justice. In this column, I started by sharing a class conversation on the analogies related to immigrants in the U.S. and then explored the implication of these analogies/stories. Inspired by Chinua Achebe’s analysis on literature and its relation to reality, I ask, not only what stories we tell about music learning at school, whose interest these stories serve, and whose voices/music are privileged? I propose that multiple stories of our students’ music learning may be enacted as forces to counter the dominate narrative. I end with some curriculum ideas for teachers to adapt in their classrooms.
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