{"title":"E. malanyuk的诗歌地图:volynian异位","authors":"S. Kocherga","doi":"10.25264/2519-2558-2023-17(85)-277-281","DOIUrl":null,"url":null,"abstract":"The article is focused on understanding the specifics of the image of space in E. Malanyuk’s poetic work. The subject of the study is images of historical Volyn in the light of M. Foucault's heterotopic concept. The goal is to prove the aesthetic and heterochronic originality of the presentation of the region in the poet’s work. The author is presented primarily as a master of literary mapping, and various spatial images, which are marked in the poet’s work by a whole range of meanings. The research overviews the facts of the intersection of the Malanyuk’s life path with Volhyn, in particular, during emigration. The main attention is paid to the geopoetical analysis of poems written in the 20s and 30s of the 20th century, such as: “Duma”, “Volodymeria”, “Dedicatory Stanzas”, “Harvest”, “Volynske” and others. The topos, which in the poetry of E. Malaniuk become symbols of historical struggles, the personification of the intemperance of Volhyn (Kremenets, Dubno, Ostrig, Volodymyr) are singled out. The special role of the pathonym Ikva in the Volyn artistic world of the poet is emphasized: the river evokes idyllic associations, ancient Greek projections, so Volyn gets the features of an utopian place. The name code of Volhyn, which is represented in E. Malaniuk’s poems by historical figures (Prince Lyubart, Olgerd) and writers (Lesya Ukrainka, U. Samchuk, O. Lyaturynska, etc.) is considered. Throughout the poems dedicated to Volyn, there is piety to the duration of time, eternity, the mythological language of which the poet is able to decipher at the level of unreality, imagination, and dream. In the expanses of Volyn, the artist meditated on the concept of freedom and affirmed his own faith in the historical prospects of Ukraine. The heterotopic feature of the region for E. Malaniuk consists in his production of retrospective visions, which prompted the author’s mythmaking, attraction to oneiric suggestion, military images, and ornithological details.","PeriodicalId":237537,"journal":{"name":"Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ»","volume":"109 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"E. MALANYUK'S POETIC MAP: VOLYNIAN HETEROTOPY\",\"authors\":\"S. Kocherga\",\"doi\":\"10.25264/2519-2558-2023-17(85)-277-281\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is focused on understanding the specifics of the image of space in E. Malanyuk’s poetic work. The subject of the study is images of historical Volyn in the light of M. Foucault's heterotopic concept. The goal is to prove the aesthetic and heterochronic originality of the presentation of the region in the poet’s work. The author is presented primarily as a master of literary mapping, and various spatial images, which are marked in the poet’s work by a whole range of meanings. The research overviews the facts of the intersection of the Malanyuk’s life path with Volhyn, in particular, during emigration. The main attention is paid to the geopoetical analysis of poems written in the 20s and 30s of the 20th century, such as: “Duma”, “Volodymeria”, “Dedicatory Stanzas”, “Harvest”, “Volynske” and others. The topos, which in the poetry of E. Malaniuk become symbols of historical struggles, the personification of the intemperance of Volhyn (Kremenets, Dubno, Ostrig, Volodymyr) are singled out. The special role of the pathonym Ikva in the Volyn artistic world of the poet is emphasized: the river evokes idyllic associations, ancient Greek projections, so Volyn gets the features of an utopian place. The name code of Volhyn, which is represented in E. Malaniuk’s poems by historical figures (Prince Lyubart, Olgerd) and writers (Lesya Ukrainka, U. Samchuk, O. Lyaturynska, etc.) is considered. Throughout the poems dedicated to Volyn, there is piety to the duration of time, eternity, the mythological language of which the poet is able to decipher at the level of unreality, imagination, and dream. In the expanses of Volyn, the artist meditated on the concept of freedom and affirmed his own faith in the historical prospects of Ukraine. The heterotopic feature of the region for E. 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引用次数: 0
摘要
本文的重点是了解马拉纽克诗歌作品中空间意象的具体特征。本研究的主题是福柯异位概念下的历史Volyn形象。目的是证明诗人作品中该地区呈现的审美和异时性原创性。作者主要表现为文学制图的大师,以及各种空间意象,这些意象在诗人的作品中被标记为一系列的意义。该研究概述了马拉纽克人的生活道路与Volhyn相交的事实,特别是在移民期间。主要关注20世纪二三十年代创作的诗歌的地缘政治学分析,如:《杜马》、《Volodymeria》、《奉献诗节》、《收获》、《Volynske》等。在E. Malaniuk的诗歌中,主题成为历史斗争的象征,是Volhyn (Kremenets, Dubno, Ostrig, Volodymyr)放纵的人格化。在诗人的沃林艺术世界中,强调了病名Ikva的特殊作用:这条河唤起了田园诗般的联想,古希腊的投影,因此沃林得到了乌托邦的特征。在E. Malaniuk的诗歌中,Volhyn的名称代码被认为是由历史人物(Prince Lyubart, Olgerd)和作家(Lesya Ukrainka, U. Samchuk, O. Lyaturynska等)所代表的。在献给Volyn的诗歌中,有对时间持续时间的虔诚,永恒,诗人能够在虚幻,想象和梦想的层面上破译的神话语言。在沃林的广阔土地上,艺术家对自由的概念进行了思考,并肯定了自己对乌克兰历史前景的信念。对于马拉纽克来说,该地区的异位性特征在于他对回顾性视觉的创作,这促使作者创造神话,吸引人的是神话暗示、军事形象和鸟类学细节。
The article is focused on understanding the specifics of the image of space in E. Malanyuk’s poetic work. The subject of the study is images of historical Volyn in the light of M. Foucault's heterotopic concept. The goal is to prove the aesthetic and heterochronic originality of the presentation of the region in the poet’s work. The author is presented primarily as a master of literary mapping, and various spatial images, which are marked in the poet’s work by a whole range of meanings. The research overviews the facts of the intersection of the Malanyuk’s life path with Volhyn, in particular, during emigration. The main attention is paid to the geopoetical analysis of poems written in the 20s and 30s of the 20th century, such as: “Duma”, “Volodymeria”, “Dedicatory Stanzas”, “Harvest”, “Volynske” and others. The topos, which in the poetry of E. Malaniuk become symbols of historical struggles, the personification of the intemperance of Volhyn (Kremenets, Dubno, Ostrig, Volodymyr) are singled out. The special role of the pathonym Ikva in the Volyn artistic world of the poet is emphasized: the river evokes idyllic associations, ancient Greek projections, so Volyn gets the features of an utopian place. The name code of Volhyn, which is represented in E. Malaniuk’s poems by historical figures (Prince Lyubart, Olgerd) and writers (Lesya Ukrainka, U. Samchuk, O. Lyaturynska, etc.) is considered. Throughout the poems dedicated to Volyn, there is piety to the duration of time, eternity, the mythological language of which the poet is able to decipher at the level of unreality, imagination, and dream. In the expanses of Volyn, the artist meditated on the concept of freedom and affirmed his own faith in the historical prospects of Ukraine. The heterotopic feature of the region for E. Malaniuk consists in his production of retrospective visions, which prompted the author’s mythmaking, attraction to oneiric suggestion, military images, and ornithological details.