Córdoba大教堂的音乐(1236-16世纪)

Benita Cardoso
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引用次数: 0

摘要

本文试图探索科尔多瓦大教堂音乐的起源,因为它是作为一个基督教的寺庙,以及开始和巩固的团体和牧师每天在天主教弥撒和在神圣的办公室的不同时间演奏格里高利圣咏,以及,特别的,复调在伟大的礼拜仪式的庄严。以大教堂大厅的机构为出发点,它使这一现实成为可能。另一方面,我们对器乐实践的开端进行了考察,从最早提到管风琴的出现和第一批吟诗人参加庄严的宗教仪式的新闻开始,以结束揭示他们同时代人对音乐礼拜堂的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music in the Cathedral of Córdoba (1236-16th century)
The present article tries to explore the origins of music in the cathedral of Cordoba since it is consecrated as a Christian temple, as well as the beginning and consolidation of the groups and ministers who daily play the Gregorian chant in the Catholic Mass and in the different hours of the divine office, and, extraordinarily, polyphony in the great liturgical solemnities, taking as its starting point the very institution of the cathedral lobby which is the one that makes this sound reality possible. On the other hand, we inquired in the beginnings of the instrumental musical practice from the first news allusive to the presence of the organ and the participation of the first group of minstrels in the solemnity of the religious services, to finish exposing the opinion about the chapel of music that their contemporaries had.
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