Derya Çetin, İkbal BOZKURT AVCI
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引用次数: 0

摘要

吉尔·德勒兹质疑小电影的可能性,并将现代政治电影与小文学的定义特征基本不变。现代政治电影表达的是处于集体认同危机的第三世界国家中被殖民、被统治、被定位为少数民族的人们的电影制作风格。在土耳其电影中,Erden Kıral也在第三世界电影导演中展示了他在电影中处理的社会问题以及他描述这些问题的方式。根据这一观点,Erden Kıral的电影《肥沃的土地上》(On沃土上)是1980年改编自Orhan Kemal的电影,在德勒兹发展的小电影的基本要素的背景下进行评价。之所以选择这部电影作为样本,是因为它拍摄时深刻感受到了土耳其的政治、经济和文化动荡以及种族隔离。在研究中,得出的结论是,这部电影可以在现代政治电影的范围内进行评价。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Etkin Bir Minör Sinema Olarak Modern Politik Sinema: “Bereketli Topraklar Üzerinde”
Gilles Deleuze questioned the possibility of a minor cinema and grounded modern political cinema with little change on the defining features of minor literature. Modern political cinema expresses the filmmaking style of peoples who are colonized, dominated and positioned as minorities in third world countries that are in crisis of collective identity. In Turkish cinema, too, Erden Kıral is shown among the directors of third world cinema in terms of the social problems he deals with in his films and the way he describes them. In line with this idea, Erden Kıral's film "On Fertile Lands", which is an adaptation of Orhan Kemal in 1980, was evaluated in the context of the basic elements of the minor cinema developed by Deleuze. The film was chosen as a sample because of the deep feeling of political, economic and cultural turmoil and segregation in Turkey at the time it was shot. In the study, it was concluded that the film can be evaluated within the scope of modern political cinema.
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