从与艺术对象的敏感特质的互动看语言的跨文化机制

Jorge Gil Tejeda, Lorena Olmos Pineda
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引用次数: 0

摘要

通过对346件与中世纪数字绘画相关的艺术产品的研究,研究当代语言的跨文化机制与绘画品质之间的关系。在这个意义上,使用了Wingfield, C., & Connell, L.(2022)开发的工具,其中基于用户体验的语义相似度进行了分析。考虑到艺术对象的品质,将黑暗的四分色系数作为艺术作品的基本敏感因素之一进行分析,将变量简化为RGB系统中数字作品的黑暗和基于经验的概念的二分法。同样,获得了57个相关数字作品主题的分类。结果表明,二分类中存在着较低的关系:基于经验的形象概念的黑暗;然而,据观察,随着与中世纪概念的密切关系的增加,在数字图像中发现突出黑暗的作品的趋势越来越少。这表明,与中世纪相关的当代观念的形成并不依赖于作品的黑暗。这些研究的目的在于探索基于Wingfield, C., & Connell提出的基于语义相似性的语言跨文化机制在当代用户群体中的关系以及与古代创造的物体的敏感特性的相互作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exploration of Intercultural Mechanism of Language through the Interaction with Sensitive Qualities of Artistic Objects
Through the study of 346 artistic products, related to digital paintings from the Medieval period, the relationship between the intercultural mechanism of contemporary language and the qualities of paintings were studied. In this sense the tool developed by Wingfield, C., & Connell, L. (2022) was used, in which the semantic similarity based on user experience was analyzed. In relation to the qualities of artistic object the tetrachoric coefficient of darkness was considered to analyze as one of fundamental sensitive factors of artistic work, so the variables were reduced to the dichotomy: darkness of the digital work in RGB system and concepts based on experience. Likewise, a classification of 57 relevant topics of digital works were obtained. The results suggest the existence of a low relationship in the dichotomy: darkness of image - concept based on experience; However it was observed that as the closeness of the concept increases in relation to the Middle Ages, there is less tendency to find works with a prominent darkness in the digital image., Which suggests that the formation of contemporary concepts related to the Middle Ages are not dependent on the darkness of the work. The intention of these studies lies on exploring the relationship of the intercultural mechanism of language based on semantic similarity -proposed by Wingfield, C., & Connell, in groups of contemporary users and the interaction with sensitive qualities of objects created in ancient times.
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