参与实践的人类学设计:maranh (BR)的设计师和工匠

R. Noronha, Camila Aboud, Raiama Portela
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引用次数: 6

摘要

本文旨在呈现和讨论巴西东北部两个手工艺社区参与情境中的等级知识。在对应概念的支持下[15,17,19],我们批判性地讨论了权力、代表性和人工制品的构建,以实现参与式设计过程。正如Ingold所提出的那样,我们讨论了制作工具和游戏的范式的破坏,即从具象实践转向本体论实践[16]。通过这种方式,我们创造了自己的设计工具和游戏,并致力于与那些熟练的实践者以参与式的方式从经验中学习。我们与使用线轴花边和buriti棕榈的女工匠合作,通过人类学的方法来设计东西,了解它们的生产链,它们的极限,并思考未来的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Design by means of anthropology towards participation practices: designers and craftswomen making Things in Maranhão (BR)
This paper aims to present and discuss hierarchical knowledge in participatory situations with two handicraft communities in the Brazilian northeast. Supported by the notion of correspondence [15,17,19], we critically debate power, representation, and the construction of artifacts to enable participatory design processes. We discuss disruption of the paradigms from which our tools and games are made, from a representational practice towards an ontological one, as Ingold also proposes [16]. In this way, we create our design tools and games committed to learning by experience with those skilled practitioners in a participatory approach. Collaborating with craftswomen who work with bobbin lace and looming with buriti palm, we designed things together by means of anthropology to understand their productive chains, theirs limits and to think about future possibilities.
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