Gulhayo Ahmadaliyevna Haydarova
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摘要

这篇文章阐述了Alisher Navoi的ghazal对Sabir Abdulla的ghazal的影响,Sabir Abdulla是二十世纪乌兹别克诗歌的代表之一。这种效果可以通过“talmeh”的艺术来说明,这是一种文学类型的诗人。比较了Alisher Navoi和Sabir Abdulla诗歌中使用的“talmeh”艺术,并确定了传统和独创性的方面。萨比尔·阿卜杜拉作品中使用的塔尔梅根据主题分为几组。同时,对乌兹别克文学中的“talmeh”艺术和世界学者广泛研究的典故现象进行了比较,并找出了异同。在此过程中,Sabir Abdulla使用“talmeh”的能力也得到了评估。分析了纳沃伊的诗作对诗人创作的影响,并详细阐述了其偏离传统规范的原因。关键词:talmeh,典故,诗歌思想,历史人物的名字,Sabir Abdulla的ghazali-yya,传统和原创性方面,iyham艺术,talmeh的类型,特殊词典,有限使用的talmeh
本文章由计算机程序翻译,如有差异,请以英文原文为准。
NAVOI AND SOBIR ABDULLA
This article illustrates the influence of Alisher Navoi's ghazals on Sabir Abdulla’s ghazal, one of the representatives of Uzbek poetry in twentieth century. This effect is illustrated by the art of “talmeh” which a literary type of poet. The art of “talmeh” used in the poems of Alisher Navoi and Sabir Abdulla is compared and the aspects of tradition and originality are identified. Talmeh which was used in Sabir Abdulla’s works is divided into groups according to the theme. At the same time, the art of “talmeh” in Uzbek literature and the phenomena of allusion, which are widely studied by world researchers, are compared and similarities and differences are identified. In the process, Sabir Abdulla's ability to use “talmeh” was also assessed. The influence of Navoi's ghazals on the poet's work is considered, and the reasons for deviating from the norms of tradition are explained in detail.Key words: talmeh, allusions, poetic ideas, names of historical figures, Sabir Abdulla's ghazali-yya, aspects of tradition and originality, art of iyham, types of talmeh, special dictionary, talmehs with limited use
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