跨媒体叙事与网络表征——互联网上的信任问题

Andreas Zingerle, L. Kronman
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引用次数: 3

摘要

在本文中,我们提出了另一种方法来提高人们对在线预付费欺诈骗局的认识,通过探索Tran媒体讲故事的概念在多大程度上适用于代表骗局诱饵-欺骗骗子的做法。骗子和骗子都利用了互联网提供的匿名性。通过调查他们的做法,我们可以质疑人们对网上陈述的信任。为了理解诈骗和诱骗的概念,本文介绍了诈骗者、受害者和诱骗者的动机。Tran媒体讲故事可以非常身临其境,并已成功地适用于虚构的故事世界。然而,当Tran媒体概念被改编为文档材料并与虚构人物混合时会发生什么?以“Re: Dakar艺术节”为例,我们说明了一个记录的骗局诱饵如何演变成一个跨媒体的故事,在几个媒体渠道上展开:艺术装置、各种社交媒体平台的在线、视频预告片、卡牌游戏和骗局诱饵工具包。这个案例研究提出了当小说和现实混合成跨媒介叙事学时出现的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transmedia Storytelling and Online Representations -- Issues of Trust on the Internet
In this paper we present an alternative way to raise awareness about online advance-fee fraud scams, by exploring the extent to which concepts of Tran media storytelling are adaptable in representing a scam bait -- the practice of scamming a scammer. Both scammers and scam baiters take advantage of the anonymity that Internet affords. By investigating their practices we can question the trust that is put into online representations. To understand the concept of scamming and scam baiting, the motives of scammers, victims and scam baiters are presented in this paper. Tran media storytelling can be very immersive and has successfully been adapted to fictional story worlds. Yet, what happens when Tran media concepts are adapted to documentation material and blended with fictional characters? With the help of an example -- the "Re: Dakar Arts Festival" -- we illustrate how a documented scam bait evolved into a transmedia story, unfolding over several media channels: an art installation, online on various social media platforms, a video trailer, as a card game and as a scam bait kit. This case study presents the challenges that emerge when both fiction and reality are blended into a transmedial narratology.
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