公共艺术:场所创造或对价值的关注(案例研究:德黑兰Vali-Asr街)

Narciss M. Sohrabi
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引用次数: 2

摘要

2016年3、4月在德黑兰Vali-Asr街以伊朗新年(诺鲁孜节)为契机举行的Baharestan艺术节引起了艺术家和其他人士的广泛关注。本文试图考察这个城市艺术节和类似的节日在场所创造和城市空间质量改善方面的作用,考虑到这些地区在城市中的潜力和能力。根据准备好的调查问卷,随机从不同人口统计信息的市民中挑选受访者,询问他们对艺术节中展出的艺术品的不同方面的评论。调查问卷的统计分析结果显示,这个节日和类似的活动如何在利用城市艺术进行场所创造和共同场景创造的发展中发挥有效的作用。结果揭示了三个关键发现。首先,节日的艺术作品能够将新年与伊朗价值属性的观念带入受访者的脑海。其次,艺术品的目的是使公共空间充满活力。第三,这个项目有可能成为在公民中传播积极信息的媒介。根据结果,这个节日和类似的城市艺术项目可以进一步被视为伊朗当代公共艺术的一种新形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Public Art: Place Making or Focus on Values (Case study: Vali-Asr Street,Tehran)
Baharestan art festival, which was held in Vali-Asr Street in Tehran in March and April 2016 on the pretext of starting the Iranian New Year (Nowruz), has widely attracted the attention of artists and other people. This article attempts to examine the role of this urban art festival and similar festivals in placemaking and the improvement of the quality of urban spaces considering the potential and capabilities of these areas in the city. According to the prepared questionnaire, some questions were asked of respondents randomly selected from citizens with different demographic information about their comments on different aspects of the artworks presented in the festival. The results of statistical analysis of the questionnaire showed how this festival and similar events act as effective agents in development of placemaking and creation of common scenes using urban arts. Results revealed three key findings. First, the artworks of the festival were able to bring New Year’s perceptions with Iranian value attributes to the respondents’ minds. Second, the artworks were intended to make the public space lively. Third, this project had potential to act as a medium to spread positive messages among the citizens. According to the results, this festival and similar urban art projects can further be considered as a new form of Iranian contemporary public art.
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