从对空说话看中国电影的跨文化交际实践

Yu-juan Lu
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引用次数: 0

摘要

本文运用传播哲学理论,对彼得斯在《对空说话》中提出的“符号-传播-对话”传播理论进行了挖掘:《传播学思想史》作为话语逻辑,通过其对当代中国电影跨文化传播历时性过程的研究,深入探讨内容表达、传播范式和效果反馈,探讨传播理论与电影跨文化实践的差异。研究发现,中国电影跨文化传播的实践以理论为基础,以电影的特点和现代技术为基础,丰富了表现的符号,在传播方式上与传播形成了差异,当前中国电影文化传播急需寻找更有效的传播方式,以促进电影客服的困境提速
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cross-Cultural Communication Practices for Chinese Films From Speaking Into the Air
By using the theory of communication philosophy, our paper excavates the “symbol-spread-dialogue” communication theory proposed by Peters in Speaking into the Air: A History of the Idea of Communication as the discursive logic, and through its research on the diachronic process of cross-cultural communication of contemporary Chinese films, in-depth content expression, communication paradigm and effect feedback, and explores the differences between communication theory and film cross-cultural practice. The study found that the practice of cross-cultural communication of Chinese films based on theory, based on the characteristics of films and modern technology, enriches the symbols of expression, and forms differences with dissemination in the way of communication, and the current Chinese film culture communication urgently needs to find more effective communication methods, to promote the plight of film customer service Speeding int
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