Maciej Sztąberek
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摘要

1845年至1847年间,约翰·富兰克林爵士指挥的极地探险队在北极群岛失踪,至今仍是英国皇家海军和大英帝国历史上最神秘的灾难之一。科学家们仍然不确定这129名水手发生了什么事。这些事件成为了丹·西蒙斯(Dan Simmons)撰写的恐怖故事《恐怖》(Terror)的基础,并由雷德利·斯科特(Ridley Scott)改编成电视剧。它们都是有趣的类型混合案例。但本文的线索是分析书和电视剧用来引起观众恐惧的工具。首先,作者着眼于历史背景,从而引入了一种被称为派系的叙事策略。其次,文章指出了用来唤起恐怖气氛的文体传播手段,有时在文学和视听艺术的情况下是不同的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jak wywołać grozę? Analiza porównawcza powieści i serialu „Terror”
The polar expedition commanded by Sir John Franklin, which disappeared in the Arctic archipelago between 1845 and 1847, is still one of the most mysterious disasters in the history of the Royal Navy and the British Empire. Scientists are still not sure what happened to the 129 sailors. The events have become a basis for a horror story Terror written by Dan Simmons and adapted as a TV series by Ridley Scott. Both of them are interesting cases of genre mixtures. But the clue of the article is to analyze the tools both the book and the TV series use to induce fear among the audience. Firstly, the author focused on historical background which allows introducing a storytelling strategy known as faction. Secondly, the article indicates stylistic means of communication that were used to evoke the atmosphere of horror, sometimes different in the case of literature and audio-visual arts.
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