tannhauser恢复(IV) -“第四”在巴黎媒体面前-布景和舞台设计

M. Mrozowicki
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引用次数: 0

摘要

Tannhäuser修复(IV) -“La quatri”在巴黎媒体上的形象-装饰和舞台本文致力于展示1895年5月13日在巴黎舞台上举行的Tannhäuser第四场演出的各个方面,由Paul Taffanel指挥,Alexander Lapissida执导。作者根据在这场演出之后出现在许多巴黎期刊上的评论,描述了被称为Amable(第一幕的第一个画面),Marcel Jambon(第一幕和第三幕的第二个画面)和eug Carpezat(第二幕)的Dauphin Amable Petit所制作的风景中最具特色的元素。所有的评论家都强调了观众的热情反应,这不仅是由于1895年艺术家们对瓦格纳歌剧的精彩演绎,而且首先是由于它意图抹去1861年巴黎Tannhäuser首演的妥协回忆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tannhäuser réhabilité (IV) – « La quatrième » devant la presse parisienne – les décors et la mise en scene
Tannhäuser rehabilitted (IV) – « La quatrième »’s image in the parisian press – the decor and the staging The article is devoted to the presentation of various aspects of the Tannhäuser’s fourth performance on the Parisian stage on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. The author, following the reviews that appeared in many Parisian journals after this performance, describes the most characteristic elements of the scenery made by Dauphin Amable Petit, known as Amable (the first tableau of the first act), Marcel Jambon (the second tableau of the first act and the third act) and Eugène Carpezat (the second act). All the reviewers underlined the enthusiastic reactions of the audience that were not only provoked by the brilliant interpretation of the Wagner’s opera by the artists in 1895 but first off all by its intention to efface the compromising recollections of the Parisian Tannhäuser’s premiere in 1861.
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