巴比松画派对屠格涅夫作品的影响

D.M. Lomaeva
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引用次数: 0

摘要

本文探讨了巴比松画派对19世纪70年代屠格涅夫作品的影响。研究关注的主题是最近的故事:«Stuchit!(“敲门!”),“Zhivye moshchi”(“活的遗迹”),“儿子”(“梦想”)。这些故事的写作与绘画的收藏时间一致。在此期间,作者结识了巴比松画派,并获得了s - f等画家的作品。多比尼,法国,s.e。雅克,F.-O。让朗,卢梭和其他人。根据作者的文章,法国艺术家的山水画对屠格涅夫风景的形成产生了重大影响。对自然真实形态的反映,对细节、阴影和过渡状态的关注,对光和空气环境的固定,揭示周围世界隐藏存在的尝试——所有这些都汇集了作家和巴比松艺术家的审美世界观,他们预见了印象派。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ON THE INFLUENCE OF THE BARBIZON SCHOOL OF PAINTING ON THE WORK OF I.S. TURGENEV
The article considers the influence of the Barbizon school of painting on the work of I. S. Turgenev in the 1870s. The subject of the research attention was the late stories: «Stuchit!» ("Knocking!") , «Zhivye moshchi» ("Living Relics"), «Son» ("Dream"). The writing of these stories coincided in time with the collection of pictorial paintings. During this period, the writer got acquainted with the Barbizon school of painting and acquired paintings by such artists as S.-F. Daubigny, H. Francais, S.-E. Jacques, F.-O. Jeanron, T. Rousseau and others. According to the author’s article, landscape painting by French artists had a significant impact on the formation of the Turgenev landscape. The reflection of the true forms of nature, attention to details, shades and transitional states, fixation of the light-and-air environment, an attempt to reveal the hidden existence of the surrounding world - all this brought together the aesthetic worldview of the writer and Barbizon artists who anticipated Impressionism.
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