{"title":"自我文件作为现代戏剧表演的源泉","authors":"O. V. Zhurcheva","doi":"10.18522/1995-0640-2022-4-136-145","DOIUrl":null,"url":null,"abstract":"In the latest dramaturgy, the so-called ego-document is often used as a plot outline, that is, a text that has as its object the circumstances of the life of the author himself and is written by a person from an egocentric position. Such an ego-document becomes a kind of ego-text: text, where only the point of view of the character performing the functions of the narrator is presented. Such a position, alien to the dramatic nature, creates a special type of performativity, which is realized both in the text itself and in readings and theatrical productions.","PeriodicalId":228573,"journal":{"name":"Proceedings of Southern Federal University. Philology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"EGO-DOCUMENT AS A SOURCE OF PERFORMANCE IN A MODERN PLAY\",\"authors\":\"O. V. Zhurcheva\",\"doi\":\"10.18522/1995-0640-2022-4-136-145\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the latest dramaturgy, the so-called ego-document is often used as a plot outline, that is, a text that has as its object the circumstances of the life of the author himself and is written by a person from an egocentric position. Such an ego-document becomes a kind of ego-text: text, where only the point of view of the character performing the functions of the narrator is presented. Such a position, alien to the dramatic nature, creates a special type of performativity, which is realized both in the text itself and in readings and theatrical productions.\",\"PeriodicalId\":228573,\"journal\":{\"name\":\"Proceedings of Southern Federal University. Philology\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of Southern Federal University. Philology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18522/1995-0640-2022-4-136-145\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of Southern Federal University. Philology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18522/1995-0640-2022-4-136-145","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
EGO-DOCUMENT AS A SOURCE OF PERFORMANCE IN A MODERN PLAY
In the latest dramaturgy, the so-called ego-document is often used as a plot outline, that is, a text that has as its object the circumstances of the life of the author himself and is written by a person from an egocentric position. Such an ego-document becomes a kind of ego-text: text, where only the point of view of the character performing the functions of the narrator is presented. Such a position, alien to the dramatic nature, creates a special type of performativity, which is realized both in the text itself and in readings and theatrical productions.
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