{"title":"保罗·马歇尔的《棕色女孩》、《褐砂石》和《寡妇颂》对非裔美国人身份的建构","authors":"Jihong Zhou","doi":"10.12783/dtssehs/isss2023/36060","DOIUrl":null,"url":null,"abstract":"In the context of homeland writing, this paper will interpret the two novels of contemporary African-American female writer Paule Marshall: Brown Girl, Brownstones and Praisesong for the Widow. This paper focuses on the identity loss caused by the cultural dilemmas faced by African- Americans in various social spaces, and how they finally complete the reconstruction of their self-identity through the pursuit of identity.","PeriodicalId":242399,"journal":{"name":"2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE","volume":"49 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE CONSTRUCTION OF AFRICAN-AMERICAN’S IDENTITY IN PAULE MARSHALL’S BROWN GIRL, BROWNSTONES AND PRAISESONG FOR THE WIDOW\",\"authors\":\"Jihong Zhou\",\"doi\":\"10.12783/dtssehs/isss2023/36060\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the context of homeland writing, this paper will interpret the two novels of contemporary African-American female writer Paule Marshall: Brown Girl, Brownstones and Praisesong for the Widow. This paper focuses on the identity loss caused by the cultural dilemmas faced by African- Americans in various social spaces, and how they finally complete the reconstruction of their self-identity through the pursuit of identity.\",\"PeriodicalId\":242399,\"journal\":{\"name\":\"2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE\",\"volume\":\"49 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12783/dtssehs/isss2023/36060\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12783/dtssehs/isss2023/36060","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
THE CONSTRUCTION OF AFRICAN-AMERICAN’S IDENTITY IN PAULE MARSHALL’S BROWN GIRL, BROWNSTONES AND PRAISESONG FOR THE WIDOW
In the context of homeland writing, this paper will interpret the two novels of contemporary African-American female writer Paule Marshall: Brown Girl, Brownstones and Praisesong for the Widow. This paper focuses on the identity loss caused by the cultural dilemmas faced by African- Americans in various social spaces, and how they finally complete the reconstruction of their self-identity through the pursuit of identity.
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