{"title":"建模分析与音乐文本生成过程——肖邦《B大调前奏曲》作品28第21号分析","authors":"P. Rosato","doi":"10.2979/INDITHEOREVI.35.1-2.06","DOIUrl":null,"url":null,"abstract":"This paper proposes a new modeling approach to the analysis of tonal music, using Chopin’s Prelude in B♭ major, Op. 28, No. 21 as a case study. The method, with its focus on the use of empirical procedures, treats music as an organic phenomenon. “Model,” in this context, means a configuration of musical components (such as melodic, harmonic, and rhythmic) that demonstrate the generation process of a given piece of music.1 Nicolas Ruwet2 and Jean-Jacques Nattiez3 created and developed paradigmatic analysis between the 1960s and 1990s, building on","PeriodicalId":363428,"journal":{"name":"Indiana Theory Review","volume":"35 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Modeling Analysis and the Musical Text Generation Process: An Analysis of Chopin's Prelude in B♭ Major, Op. 28, No. 21\",\"authors\":\"P. Rosato\",\"doi\":\"10.2979/INDITHEOREVI.35.1-2.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper proposes a new modeling approach to the analysis of tonal music, using Chopin’s Prelude in B♭ major, Op. 28, No. 21 as a case study. The method, with its focus on the use of empirical procedures, treats music as an organic phenomenon. “Model,” in this context, means a configuration of musical components (such as melodic, harmonic, and rhythmic) that demonstrate the generation process of a given piece of music.1 Nicolas Ruwet2 and Jean-Jacques Nattiez3 created and developed paradigmatic analysis between the 1960s and 1990s, building on\",\"PeriodicalId\":363428,\"journal\":{\"name\":\"Indiana Theory Review\",\"volume\":\"35 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-02-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Indiana Theory Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/INDITHEOREVI.35.1-2.06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indiana Theory Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/INDITHEOREVI.35.1-2.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Modeling Analysis and the Musical Text Generation Process: An Analysis of Chopin's Prelude in B♭ Major, Op. 28, No. 21
This paper proposes a new modeling approach to the analysis of tonal music, using Chopin’s Prelude in B♭ major, Op. 28, No. 21 as a case study. The method, with its focus on the use of empirical procedures, treats music as an organic phenomenon. “Model,” in this context, means a configuration of musical components (such as melodic, harmonic, and rhythmic) that demonstrate the generation process of a given piece of music.1 Nicolas Ruwet2 and Jean-Jacques Nattiez3 created and developed paradigmatic analysis between the 1960s and 1990s, building on
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