绘画作为对话:与陌生人的视觉接触

Angela Rogers
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引用次数: 0

摘要

本文讨论并说明了以实践为主导的博士学位的初始阶段,该阶段研究了协作绘画作为社会遭遇的潜力。该研究旨在实现绘画实践既是研究的方法又是研究的主题。这篇文章详细介绍了一项紧急战略的初步开始。一位艺术家在火车上与陌生人见面,生成艺术品和数据的第一手资料描述了一种以创新的视觉形式捕捉人类互动微妙之处的方法。讨论了个人绘画和参与者的评论,并具体参考了对话、随意对话和人机交互的模型。主观经验的中心地位、过程与产品的相互依存、已知与揭示之间的转换是创造性艺术研究的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Drawing as Conversation: Visual Encounters with Strangers
This article discusses and illustrates the initial stages of a practice-led doctorate that investigates the potential of collaborative drawing as social encounter. The research is intended to realise drawing practice as both method and subject of inquiry. The article details the tentative beginnings of an emergent strategy. The first-hand account of an artist meeting strangers on trains to generate artwork and data describes a method that captures the subtleties of human interaction in an innovative visual form. Individual drawings and participants' commentary are discussed with specific references to models of dialogue, casual conversation and human computer interaction. The centrality of subjective experience, the interdependence of process and product, and the shift between what is known and what is revealed are characteristic of creative arts research.
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