结论

Jeremy Prestholdt
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引用次数: 0

摘要

为什么特定的人物在特定的历史时刻会吸引不同的受众?图标在界面世界中扮演着怎样的社会角色?回顾过去半个世纪以来全球图标的历史,我们发现这些问题的答案不仅在于图标的形式和内涵,还在于它们跨越空间和时间的显著延展性。全球图标使思想具体化,引导思想,促进真实或想象的联系,并集中公共能量。它们代表了超越国家、政党或运动的想象。简而言之,观众将标志性人物转化为跨国想象和集体诠释的动态产物。看似永恒的,标志性的人物象征着超越和共同的理想,同时保持可塑性。因此,对偶像的吸引并不是对个人本身的偶像化。相反,它是对可能性的偶像化,是对观众想象中的偶像人物所代表的愿景和价值观的偶像化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conclusion
Why do particular figures appeal to diverse audiences at specific historical moments? What social roles do icons play in an interfaced world? Tracing the history of global icons over the past half-century demonstrates that the answers to these questions lie not only in the form and connotations of icons, but also in their significant malleability across space and time. Global icons crystallize thought, channel ideas, foster real or imagined linkages, and focus communal energies. They represent imagination beyond the state, political party, or movement. In short, audiences transform iconic figures into the dynamic products of the transnational imagination and collective interpretation. Seemingly timeless, iconic figures symbolize transcendence and communal ideals while remaining malleable. Thus, attraction to icons is not the idolization of the individual per se. Rather, it is the idolization of possibility, of the visions and values that audiences imagine iconic figures to represent.
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