怀旧是一种逃避痛苦状态的方式

Ágora Pub Date : 2021-05-11 DOI:10.15304/AG.40.2.6775
Jorge Montesó Ventura
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引用次数: 0

摘要

近年来,至少在所谓的西方社会,已经形成了一种明显的趋势,即消费旨在促进消费者怀旧状态的产品:时装、电影、电视……所有与大众消费有关的东西,在美学上,它都用一些元素来装饰,试图唤起目标客户的部分过去,而且很有效。在这篇文章中,我们将分析,理解消费作为最明显的表达,是什么促使我们去寻找唤起过去的刺激,是什么促使我们去寻找刺激,是什么促使我们去寻找刺激,是什么促使我们去寻找刺激,以及我们所处的环境类型所导致的痛苦状态与我们所生活的环境有多大关系。我们将试图证明,怀旧是如何超越主题,作为最容易接近和有效的避难所,暂时掩盖由一种被认为是不友好和碎片化的媒介所造成的痛苦,而不需要放弃自己。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La nostalgia como efugio al estado de angustia
In recent years, at least in the so-called western societies, a clear trend has been established to consume products that aim to promote a state of nostalgia in the consumer: fashion, cinema, television... everything that concerns mass consumption, in its aesthetics, it dresses with elements that try to evoke part of its target's past, and it works. In this article we will analyse, understanding consumption only as the most obvious expression, what motivates us to seek stimuli that evoke the past, what pushes us to it and how much does the state of anguish to which the type of circumstance draws us have to do with it that we live. We will try to demonstrate how nostalgia, beyond topics, is offered as the most accessible and effective refuge to temporarily mask that anguish caused by a medium perceived as inhospitable and fragmented, and without the need to renounce itself.
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