{"title":"荷马的第一次战斗恳求和维吉尔的《埃涅伊德》的结束","authors":"L. Fratantuono","doi":"10.22315/acd/2022/4","DOIUrl":null,"url":null,"abstract":"One of the less appreciated literary influences on the Virgilian depiction of Aeneas' decision to slay Turnus at the end of the Aeneid is the first battle supplication scene in Homer's Iliad, the encounter of Adrestus with Menelaus and Agamemnon. Close consideration of Virgil's response to the Homeric scene sheds light on the poet's concerns in his presentation of the choice his Trojan hero Aeneas confronts in light of Turnus' appeal. Acrostics at the end of the Aeneid invite further reflection.","PeriodicalId":412962,"journal":{"name":"Acta Classica Universitatis Scientiarum Debreceniensis","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Homer's First Battle Supplication and the End of Virgil's Aeneid\",\"authors\":\"L. Fratantuono\",\"doi\":\"10.22315/acd/2022/4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"One of the less appreciated literary influences on the Virgilian depiction of Aeneas' decision to slay Turnus at the end of the Aeneid is the first battle supplication scene in Homer's Iliad, the encounter of Adrestus with Menelaus and Agamemnon. Close consideration of Virgil's response to the Homeric scene sheds light on the poet's concerns in his presentation of the choice his Trojan hero Aeneas confronts in light of Turnus' appeal. Acrostics at the end of the Aeneid invite further reflection.\",\"PeriodicalId\":412962,\"journal\":{\"name\":\"Acta Classica Universitatis Scientiarum Debreceniensis\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Classica Universitatis Scientiarum Debreceniensis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22315/acd/2022/4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Classica Universitatis Scientiarum Debreceniensis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22315/acd/2022/4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Homer's First Battle Supplication and the End of Virgil's Aeneid
One of the less appreciated literary influences on the Virgilian depiction of Aeneas' decision to slay Turnus at the end of the Aeneid is the first battle supplication scene in Homer's Iliad, the encounter of Adrestus with Menelaus and Agamemnon. Close consideration of Virgil's response to the Homeric scene sheds light on the poet's concerns in his presentation of the choice his Trojan hero Aeneas confronts in light of Turnus' appeal. Acrostics at the end of the Aeneid invite further reflection.