史胡家族功德形象:通俗版画与家谱之间。明清时期忠宋叙事与徽州血统的熏陶实践

Michela Bussotti
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引用次数: 0

摘要

来自皖南和苏东北的石氏家族和胡氏家族的《功德像》分别在安徽省博物馆(合肥)和上海博物馆展出。这些版画的尺寸和印刷技术都很特别,因为它们的内容也很特别,其中包括两个家庭的历史,重点是宋朝建国时期(960-1276),家庭、地方和“国家”叙事结合在一起,形成了一种复合的、独特的、连续的视觉表现。本文对文献资料进行了描述,叙述了所描绘的事件,并对包公图版画的年代、性质和使用提出了质疑。本文的目的是分析这些版画告诉我们的东西,不仅是关于所描绘的事件,还有关于它们创作的农村世界,在这个世界里,世系的突出地位在帝国晚期尤为明显。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Images of the Merits of Shi and Hu Families: Between Popular Prints and Genealogies. Narratives of Loyalty to the Song Empire and the Edifying Practices of Huizhou Lineages in the Ming–Qing Dynasties
The Images of the Merits (Baogong tu 報功圖) of the Shi 石 and Hu 胡 families, from southern Anhui and northeastern Jiangsu, are held in Anhui Provincial Museum (in Hefei) and Shanghai Museum respectively. Exceptional in size and printing techniques, these prints are equally special because of their content, which includes the history of the two families, with a focus on the period of the founding of the Song dynasty (960–1276), where family, local, and “national” narratives combine in a composite, yet unique and continuous visual representation. This study describes the documents, narrates the events depicted, and questions the dating, nature, and use of the Baogong tu prints. The aim of this article is to analyze what the prints tell us, not only about the events depicted, but also about the rural world in which they were created, a world where the prominence of the lineages was particularly pronounced in the late imperial period.
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