金升玉的《木镇之旅》和金秀勇的电影改编《雾》

Inna Tsoy
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摘要

这是从作家金升玉和电影导演金秀龙的见面开始的故事。他们的联合作品是一种实验和实践的合作,这种文化现象被称为20世纪60年代的新开端。金秀龙想到改编的原因是什么?20世纪60年代,文学的标准价值被赋予了对战后废墟的现实主义再现,大部分作家倾向于关注社会问题和道德问题,而这个故事与当时根深蒂固的文学界截然不同。与此同时,韩国的电影产业也发生了变化。文学和电影都急于拥抱新的开始的新的可能性,在金秀镛的指导下,20世纪60年代的韩国电影进入了“文学电影”时代,小说改编成为一种趋势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
KIM SEUNG-OK’S STORY A JOURNEY TO MUJIN AND KIM SOO-YONG’S FILM ADAPTATION MIST
This is a story that begins with a meeting of writer Kim Seung-ok and film director Kim Soo-yong. Their joint work was a kind of collaboration in the experimentation and the practice of the cultural phenomenon known as the New Beginnings of the 1960s. What are the special features of the story that Kim Soo-yong came up to an idea of its adaptation? This story was a fresh departure from the entrenched literary circles of the 1960s, where the standard literary values were conferred to the realistic representation of the post-Korean War ruins and most authors tended to focus on social problems and morality. At the same time, there were changes in situation with film industry in Korea. Both literature and film rushed to embrace the new possibilities of new beginnings and under Kim Soo-yong’s guidance Korean film of the 1960s entered the era of “literary film”, novel adaptation became a trend.
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