基督教教父玛丽安的类型和象征意象

Briana Reynolds
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引用次数: 10

摘要

在两千多年的基督教历史中,有一半以上的时间,人们都是通过旧约圣经的注释来看待马利亚,就像通过新约中提到她的简短段落一样,也就是说,谈论和理解她的主要方式是预表或比喻。诸如“新夏娃”(创世记1-3)、“雅各的梯子”(创世记28:10-16)、“燃烧的荆棘”(出3:1-8)、“基甸的羊毛”(士6:37-40)、“方舟”(王下6:14 - 23)、“洞房”(诗18:6)、“象牙塔”(雅歌7:4)、“耶西的杖”(赛11:1),以及更多的词语,曾经对所有基督徒,从最博学的神学家到最简单的信徒,都有着深刻的意义。本章考察了教父时期玛丽安的类型学和象征主义的起源、性质和意义,目的是为当代读者提供必要的训诂和解释学钥匙,以便更全面地理解这种精心制作的意象的原始意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Marian Typological and Symbolic Imagery in Patristic Christianity
For well over half of the more than two thousand years of Christian history, Mary was viewed as much through the lens of Old Testament exegesis as through those brief passages in the New Testament that mention her, which is to say that the dominant mode of speaking about and understanding her was typological or figural. Epithets such as ‘the new Eve’ (Gen. 1–3), ‘Jacob’s ladder’ (Gen. 28:10–16), ‘burning bush’ (Ex. 3:1–8), ‘fleece of Gideon’ (Judg. 6:37–40), ‘ark’ (2 Kgs 6.14–23), ‘bridal chamber’ (Ps. 18:6), ‘tower of ivory’ (Song of Songs 7:4), ‘rod of Jesse’ (Isa. 11:1), and many more were once deeply significant to all Christians, from the most erudite of theologians to the simplest of faithful. This chapter examines the origins, nature, and significance of Marian typology and symbolism in the Patristic period with the aim of providing the contemporary reader with the necessary exegetical and hermeneutic keys for a fuller understanding of the original significance of this elaborate imagery.
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