{"title":"LOOKİNG从文化的角度看“设计与设计师”","authors":"Ahmet Şadi Ardatürk","doi":"10.58201/utsobilder.1138287","DOIUrl":null,"url":null,"abstract":"Design is a phenomenon encompassing multiple fields such as culture, technique, art, and sociology. The design, which constitutes a kind of buffer zone due to its position, exists in direct and indirect relations with the ipseity of life. In a multidisciplinary structure, the organization of inputs from each different field is one of the core elements at the heart of design. The designed object, on the other hand, is an entity emerging from the combination of culture and technique in terms of providing an aesthetic and ergonomic solution to the existing need and having the potency to shape the way of living and habit. The paradigms used in design fall outside the zeitgeist when created solely based on conventional data and pre-existing knowledge. The needs and culture that move alongside time also form the essence of culture. This formation, in fact, is a depiction of the way of life. The shaped environment, again, involves movement whether with places or metas; it evolves and changes with a dynamic nature. The design is also a phenomenon that shares this dynamism in the most basic sense and takes form within its own timeframe. The ability to use this dynamic nature either in a negative or positive direction finds existence under the responsibility of the designer. The design-related core that is created by the culture, once again, reaches a point where it creates the culture. \nThe purpose of this study is to interpret the role of the contemporary design object in our reality by discussing sections from the definitions of metas as well as from the meanings attributed to their social cores and contents within the design process from industrial production to our present day. In this regard, the study discusses the relevance and relation of the design to the concepts of culture, consumption, and meta. Moreover, based on the formation of the 21st-century modern world, this interpretation process provides an insight into the place where the design and designer stand and should stand.","PeriodicalId":402711,"journal":{"name":"Uluslararası Sosyal Bilimler Akademik Araştırmalar Dergisi","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"LOOKİNG AT “DESIGN and DESIGNER” FROM a CULTURAL POINT of VIEW\",\"authors\":\"Ahmet Şadi Ardatürk\",\"doi\":\"10.58201/utsobilder.1138287\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Design is a phenomenon encompassing multiple fields such as culture, technique, art, and sociology. The design, which constitutes a kind of buffer zone due to its position, exists in direct and indirect relations with the ipseity of life. In a multidisciplinary structure, the organization of inputs from each different field is one of the core elements at the heart of design. The designed object, on the other hand, is an entity emerging from the combination of culture and technique in terms of providing an aesthetic and ergonomic solution to the existing need and having the potency to shape the way of living and habit. The paradigms used in design fall outside the zeitgeist when created solely based on conventional data and pre-existing knowledge. The needs and culture that move alongside time also form the essence of culture. This formation, in fact, is a depiction of the way of life. The shaped environment, again, involves movement whether with places or metas; it evolves and changes with a dynamic nature. The design is also a phenomenon that shares this dynamism in the most basic sense and takes form within its own timeframe. The ability to use this dynamic nature either in a negative or positive direction finds existence under the responsibility of the designer. The design-related core that is created by the culture, once again, reaches a point where it creates the culture. \\nThe purpose of this study is to interpret the role of the contemporary design object in our reality by discussing sections from the definitions of metas as well as from the meanings attributed to their social cores and contents within the design process from industrial production to our present day. In this regard, the study discusses the relevance and relation of the design to the concepts of culture, consumption, and meta. Moreover, based on the formation of the 21st-century modern world, this interpretation process provides an insight into the place where the design and designer stand and should stand.\",\"PeriodicalId\":402711,\"journal\":{\"name\":\"Uluslararası Sosyal Bilimler Akademik Araştırmalar Dergisi\",\"volume\":\"13 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Uluslararası Sosyal Bilimler Akademik Araştırmalar Dergisi\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.58201/utsobilder.1138287\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Uluslararası Sosyal Bilimler Akademik Araştırmalar Dergisi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.58201/utsobilder.1138287","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
LOOKİNG AT “DESIGN and DESIGNER” FROM a CULTURAL POINT of VIEW
Design is a phenomenon encompassing multiple fields such as culture, technique, art, and sociology. The design, which constitutes a kind of buffer zone due to its position, exists in direct and indirect relations with the ipseity of life. In a multidisciplinary structure, the organization of inputs from each different field is one of the core elements at the heart of design. The designed object, on the other hand, is an entity emerging from the combination of culture and technique in terms of providing an aesthetic and ergonomic solution to the existing need and having the potency to shape the way of living and habit. The paradigms used in design fall outside the zeitgeist when created solely based on conventional data and pre-existing knowledge. The needs and culture that move alongside time also form the essence of culture. This formation, in fact, is a depiction of the way of life. The shaped environment, again, involves movement whether with places or metas; it evolves and changes with a dynamic nature. The design is also a phenomenon that shares this dynamism in the most basic sense and takes form within its own timeframe. The ability to use this dynamic nature either in a negative or positive direction finds existence under the responsibility of the designer. The design-related core that is created by the culture, once again, reaches a point where it creates the culture.
The purpose of this study is to interpret the role of the contemporary design object in our reality by discussing sections from the definitions of metas as well as from the meanings attributed to their social cores and contents within the design process from industrial production to our present day. In this regard, the study discusses the relevance and relation of the design to the concepts of culture, consumption, and meta. Moreover, based on the formation of the 21st-century modern world, this interpretation process provides an insight into the place where the design and designer stand and should stand.