超越亚的斯亚贝巴和阿菲勒:意大利公共记忆、遗产和殖民主义

Jasper Chalcraft
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引用次数: 6

摘要

1937年2月,意大利人在亚的斯亚贝巴三天内杀害了20至3万埃塞俄比亚人。这场大屠杀被当地人称为“Yekatit 12”,它几乎摧毁了殖民抵抗运动的中心和意大利的知识界,对大多数意大利人来说,它仍然是一段隐藏的历史。事实上,对大多数欧洲人来说都是如此。然而,2012年,大屠杀的关键人物马歇尔·鲁道夫·格拉齐亚尼(Marshall Rodolfo Graziani)的出生地阿菲勒(Affile)拉齐奥(Lazio)的一个小镇,利用地区资金为这位意大利在东非的法西斯总督建造了一座纪念碑。随后,全球对这种地方遗产制作的批评不仅暴露了意大利遗产部门的断层,也暴露了公共记忆与当今遗产制作的跨国纠缠之间的断层。亚的斯亚贝巴大屠杀和Affile纪念碑象征着殖民记忆是如何“上演”的,并说明当代遗产制作未能实现其社会转型的承诺,并进一步促进该国居民的社会包容。尽管在电影制作、地方激进主义、戏剧和文学方面做出了一系列努力——意大利的“后殖民转向”——来质疑这个国家对自身的文化投射。在更广泛的欧洲背景下,意大利的殖民历史也很重要,在欧洲大陆的主要记忆机构中,制度承认缓慢,以反思的方式代表殖民历史的尝试有限。本文利用与侨民社区和遗产专业人士正在进行的实地调查,批判性地绘制意大利公众对殖民主义记忆的轮廓。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beyond Addis Ababa and Affile: Italian Public Memory, Heritage and Colonialism
In February 1937 Italians murdered between 20 to 30,000 Ethiopians over three days in Addis Ababa. Known locally as Yekatit 12, the massacre almost wiped out both the centre of colonial resistance and the country’s intelligensia, and remains a hidden history for most Italians. Indeed, it is for most Europeans. Yet in 2012, a small town in Lazio, Affile, the birthplace of Marshall Rodolfo Graziani, a key figure in the massacre, used regional funds to create a memorial to this fascist Viceroy of Italian East Africa. The ensuing global criticism of this local heritage-making revealed the faultlines not just in Italy’s heritage sector, but between public memory and the transnational entanglements of heritage-making in the present. The Addis Ababa massacre and the Affile monument are emblematic of how colonial memory is ‘staged’, and illustrates a failure of contemporary heritage-making to live up to its promise of social transformation, and to further the social inclusion of the country’s residents. This is despite a series of efforts, in film-making, local activism, theatre and literature - Italy’s ‘postcolonial turn’ - to problematise the country’s cultural projection of itself. Italy’s colonial pasts also matter within a broader European context of slow institutional recognition and limited attempts to represent colonial pasts in reflective ways in the continent’s major memory institutions. This article uses ongoing fieldwork with diaspora communities and heritage professionals to critically map the contours of Italy’s public memory of colonialism.
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