{"title":"普适性实验室","authors":"Carlos Fonseca Suárez","doi":"10.5744/florida/9781683401483.003.0014","DOIUrl":null,"url":null,"abstract":"Carlos Fonseca Suárez read Jorge Luis Borges’s short story “El Aleph” as a reflection upon the limits of technological universalism as well as a reconfiguration of modern cosmopolitanism. Carlos Fonseca Suárez then explores the figure of José Arcadio Buendía—founder of Macondo in Cien años de soledad (1967)—who in his obsession with scientific innovation takes Borges’s exploration of technological modernity and the impasses of modern progressivism even further, proposing instead a new dialectical model of universalism. Finally, Carlos Fonseca Suárez concludes by adding a final star to this constellation by exploring how the character of Luca Belladona in Ricardo Piglia’s 2010 novel Blanco nocturno allows for a rereading of this Humboldt’s plainsman scene in the contemporary socioeconomic context, where the relation between the global and the local, center and periphery, becomes intertwined in the elusive informational networks of global capital.","PeriodicalId":307914,"journal":{"name":"Geopolitics, Culture, and the Scientific Imaginary in Latin America","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Laboratories of Universality\",\"authors\":\"Carlos Fonseca Suárez\",\"doi\":\"10.5744/florida/9781683401483.003.0014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Carlos Fonseca Suárez read Jorge Luis Borges’s short story “El Aleph” as a reflection upon the limits of technological universalism as well as a reconfiguration of modern cosmopolitanism. Carlos Fonseca Suárez then explores the figure of José Arcadio Buendía—founder of Macondo in Cien años de soledad (1967)—who in his obsession with scientific innovation takes Borges’s exploration of technological modernity and the impasses of modern progressivism even further, proposing instead a new dialectical model of universalism. Finally, Carlos Fonseca Suárez concludes by adding a final star to this constellation by exploring how the character of Luca Belladona in Ricardo Piglia’s 2010 novel Blanco nocturno allows for a rereading of this Humboldt’s plainsman scene in the contemporary socioeconomic context, where the relation between the global and the local, center and periphery, becomes intertwined in the elusive informational networks of global capital.\",\"PeriodicalId\":307914,\"journal\":{\"name\":\"Geopolitics, Culture, and the Scientific Imaginary in Latin America\",\"volume\":\"11 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-04-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Geopolitics, Culture, and the Scientific Imaginary in Latin America\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5744/florida/9781683401483.003.0014\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Geopolitics, Culture, and the Scientific Imaginary in Latin America","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5744/florida/9781683401483.003.0014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Carlos Fonseca Suárez read Jorge Luis Borges’s short story “El Aleph” as a reflection upon the limits of technological universalism as well as a reconfiguration of modern cosmopolitanism. Carlos Fonseca Suárez then explores the figure of José Arcadio Buendía—founder of Macondo in Cien años de soledad (1967)—who in his obsession with scientific innovation takes Borges’s exploration of technological modernity and the impasses of modern progressivism even further, proposing instead a new dialectical model of universalism. Finally, Carlos Fonseca Suárez concludes by adding a final star to this constellation by exploring how the character of Luca Belladona in Ricardo Piglia’s 2010 novel Blanco nocturno allows for a rereading of this Humboldt’s plainsman scene in the contemporary socioeconomic context, where the relation between the global and the local, center and periphery, becomes intertwined in the elusive informational networks of global capital.