{"title":"艾蒂安·罗杰的《外国作曲家","authors":"R. Rasch, Gesa zur Nieden, Berthold Over","doi":"10.14361/9783839435045-016","DOIUrl":null,"url":null,"abstract":"In the history of music publishing, Estienne Roger takes a very special place.1 This Huguenot, born in Caen in France, who settled in Holland after the Revocation of the Edict of Nantes in 1685, started a publishing irm in Amsterdam with another Huguenot, Jean-Louis de Lorme, in 1696. From 1697, he worked on his own. He published “conventional” books as well as music books. It was in the latter ield that he earned his renown. He can be said to have been the irst publisher with a truly international catalog and also with a truly international market. He sold his music not only in Holland, but also in the Low Countries, France, the German-speaking areas, Scandinavia and England. Roger died in 1722, but had transferred the music business nominally to his younger daughter Jeanne Roger prior to his death. Her name is mentioned in the imprint of all editions from some point in 1716 onwards, but it is unclear if she was actually involved in the management of the irm. She died later in 1722, and after her death the music publishing enterprise came into the hand of Roger’s son-in-law, Michel-Charles Le Cène, who had married","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"43 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Estienne Roger’s Foreign Composers\",\"authors\":\"R. Rasch, Gesa zur Nieden, Berthold Over\",\"doi\":\"10.14361/9783839435045-016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the history of music publishing, Estienne Roger takes a very special place.1 This Huguenot, born in Caen in France, who settled in Holland after the Revocation of the Edict of Nantes in 1685, started a publishing irm in Amsterdam with another Huguenot, Jean-Louis de Lorme, in 1696. From 1697, he worked on his own. He published “conventional” books as well as music books. It was in the latter ield that he earned his renown. He can be said to have been the irst publisher with a truly international catalog and also with a truly international market. He sold his music not only in Holland, but also in the Low Countries, France, the German-speaking areas, Scandinavia and England. Roger died in 1722, but had transferred the music business nominally to his younger daughter Jeanne Roger prior to his death. Her name is mentioned in the imprint of all editions from some point in 1716 onwards, but it is unclear if she was actually involved in the management of the irm. She died later in 1722, and after her death the music publishing enterprise came into the hand of Roger’s son-in-law, Michel-Charles Le Cène, who had married\",\"PeriodicalId\":162716,\"journal\":{\"name\":\"Musicians' Mobilities and Music Migrations in Early Modern Europe\",\"volume\":\"43 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-01-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Musicians' Mobilities and Music Migrations in Early Modern Europe\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14361/9783839435045-016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musicians' Mobilities and Music Migrations in Early Modern Europe","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/9783839435045-016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在音乐出版史上,Estienne Roger占有非常特殊的地位这位胡格诺派教徒出生于法国卡昂,1685年南特敕令撤销后定居荷兰,1696年与另一位胡格诺派教徒让-路易·德·洛姆在阿姆斯特丹创办了一家出版公司。从1697年起,他开始独立工作。他既出版音乐书籍,也出版“传统”书籍。正是在后者,他赢得了名声。他可以说是第一个拥有真正的国际目录和真正的国际市场的出版商。他的音乐不仅销往荷兰,还销往低地国家、法国、德语区、斯堪的纳维亚半岛和英国。罗杰于1722年去世,但在他去世前,他已将音乐事业名义上转移给了他的小女儿珍妮·罗杰。从1716年开始,她的名字在所有版本的印记中都被提及,但不清楚她是否真的参与了公司的管理。她于1722年晚些时候去世,她死后,音乐出版企业落入罗杰已婚的女婿米歇尔-查尔斯·勒孔特内(Michel-Charles Le c)手中
In the history of music publishing, Estienne Roger takes a very special place.1 This Huguenot, born in Caen in France, who settled in Holland after the Revocation of the Edict of Nantes in 1685, started a publishing irm in Amsterdam with another Huguenot, Jean-Louis de Lorme, in 1696. From 1697, he worked on his own. He published “conventional” books as well as music books. It was in the latter ield that he earned his renown. He can be said to have been the irst publisher with a truly international catalog and also with a truly international market. He sold his music not only in Holland, but also in the Low Countries, France, the German-speaking areas, Scandinavia and England. Roger died in 1722, but had transferred the music business nominally to his younger daughter Jeanne Roger prior to his death. Her name is mentioned in the imprint of all editions from some point in 1716 onwards, but it is unclear if she was actually involved in the management of the irm. She died later in 1722, and after her death the music publishing enterprise came into the hand of Roger’s son-in-law, Michel-Charles Le Cène, who had married