当代美国移民小说中的边境主题

S. Chernyshova
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引用次数: 0

摘要

从任何角度来看,边境都是移民研究的焦点。今天,很明显,对现代世界人类运动的重新思考也引发了改变对区分国家和民族的界线的看法的需要。这些政治建构的边界体现了集体的领土化,为特定群体分配一个地点,在某些参数中缩小世界,将人们划分为归属者和不受欢迎者或他者,巩固了某些国家不可接近和其他国家不可接近的形象,以及富人与穷人保持距离的愿望,守法与违法者的愿望。在表现移民过程的文学文本中,边界及其跨越占有重要地位。由于难民、非法移民或临时签证持有者试图不惜一切代价进入富裕国家,他们主要是这些工作的中心,因此跨越分界线的经历往往是可耻的,有时甚至是危及生命的。本文概述了理解人文学科边界的当代方法。研究者强调了分界线的歧视性本质、退化机制和建构主义思维方式。通过对纳耶里的《避难所》、阿迪契的《美国人》、佐波伊的《美国街》和乌雷亚的《魔鬼的公路》的分析,可以得出结论:在移民小说中,边境是一种对越境者进行贬低的国家实践。此外,签证强化了人们对西方世界难以接近的固有观念,因此也强化了西方世界的高生活水平和自由。移民在到达梦想之地的过程中所经历的屈辱伤害了他们的人格,加剧了他们的自卑感。本文揭示了通过重新思考边界、认识其歧视性本质和世界政治分布的人为性来研究移民的潜在研究视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Topos of the Border in Contemporary American Migratory Novel
The border is the focus of migration studies from any perspective. Today, it is evident that the rethinking of human movement in the modern world has also provoked the need to change the perspective on the lines that separate states and nations. These politically constructed boundaries embody the territorialization of collectives, the allocation of a locus for specific groups, the narrowing of the world in certain parameters, the division of people into those who belong and those who are unwanted or Other, the consolidation of the image of inaccessibility for some countries and accessibility for others, and the desire of the richer to distance themselves from the poorer and the law-abiding from the lawbreakers. In literary texts that represent migration processes, the border and its crossing occupy an important place. Since refugees, illegal migrants, or temporary visa holders who try to enter wealthy countries at any cost are predominantly at the center of such works, the experience of crossing the dividing line is often degrading, and sometimes even life-threatening. The article provides an overview of contemporary approaches to understanding the border in the humanities. Researchers emphasize the discriminatory nature, regressive mechanisms, and constructivist way of thinking about dividing lines. The analysis of D. Nayeri’s ‘Refuge’, C. N. Adichie’s ‘Americanah’, I. Zoboi’s ‘American Street’, and A. L. Urrea’s ‘The Devil’s Highway’ leads to the conclusion that in migratory novels, the border functions as a state practice of demeaning those who cross it. In addition, visas intensify constructed perceptions of inaccessibility and, accordingly, high living standards and freedom in the Western world. The humiliations that migrants experience to reach their dreamland traumatize their personality and intensify their feelings of inferiority. The article reveals potential research perspectives for studying migration through the prism of rethinking borders, realizing their discriminatory nature, and the artificiality of the political distribution of the world.
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