W. Soliński
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摘要

本文分析了博humil Hrabal作品中自传体场所的情感层面。作者注意到,这位捷克作家的短篇和长篇散文形式,都经常以酒馆的工作室和易北河上的尼姆伯克(“水上之城”)、克尔斯科的森林和克拉德诺退化的冶炼厂Krásná Poldi之间的空间为背景。Hrabal的地点名单并没有到此为止,还包括“边境地区”,例如Kostomlaty和Labem火车站的控制室和站台;布拉格斯帕洛纳街(Spalona Street)废纸仓库的地下室(以及附近的酒吧);作者的公寓(既没有窗户也没有厕所)位于24 Na Hrázi (v nosti)街和许多其他街道直接通往ssvt酒吧特别注意的是作者从未去过的地方-德罗霍比奇,但通过布鲁诺舒尔茨的散文知道。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ateliery i plenery w prozie Bohumila Hrabala
The article analyzes the emotional aspect of autobiographical places in the works of Bohumil Hrabal. Its author observes that both the short and the long prosaic forms by the Czech writer are often set in the space stretching between ateliers of pubs and en plein-airs of Nymburk on the Elbe River (“the town on water”), forests of Kersko, and the degraded smelter plant Krásná Poldi in Kladno. The list of Hrabal’s locations does not end here and also includes the “borderland areas”, such as the control room and platforms of the railway station in Kostomlaty nad Labem; the basement of the wastepaper warehouse in Spalona Street in Prague (and pubs nearby); the author’s flat (which had neither windows nor a toilet) located at 24 Na Hrázi (Věčnosti) Street and many other streets leading directly to the Svět pub Special attention is also given to a place that the author had never visited – Drohobych, but got to know through the prose of Bruno Schulz.
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