{"title":"公元前1492年:前哥伦布时期绘画的新世界","authors":"Reinaldo Morales Jr.","doi":"10.52713/ulqy5064","DOIUrl":null,"url":null,"abstract":"This essay offers an updated chronological sequence and stylistic analysis of one of the oldest dated Pre-Columbian rock art styles in the ancient Americas, the Nordeste Style centered in northeastern Brazil. Since its first publication in the 1990s, the Nordeste Style and its various sub-styles have been dated c. 8500 bce – 200 ce, but more recent and updated dating technology provides a revised chronology of the style, and a reconsideration of the relationship of the style to the broader Pre-Columbian world. The original scholarship from the 1990s championed the formal distinction and regionally limited boundaries of the style, but a more critical analysis of the formal characteristics of the style, in conjunction with the revised chronological sequence, suggest that the original Nordeste artists may in fact have participated in a hemisphere-wide artistic network, ranging as far north as the American Southwest.","PeriodicalId":151852,"journal":{"name":"Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"1492 BCE: A New World of Pre-Columbian Painting\",\"authors\":\"Reinaldo Morales Jr.\",\"doi\":\"10.52713/ulqy5064\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay offers an updated chronological sequence and stylistic analysis of one of the oldest dated Pre-Columbian rock art styles in the ancient Americas, the Nordeste Style centered in northeastern Brazil. Since its first publication in the 1990s, the Nordeste Style and its various sub-styles have been dated c. 8500 bce – 200 ce, but more recent and updated dating technology provides a revised chronology of the style, and a reconsideration of the relationship of the style to the broader Pre-Columbian world. The original scholarship from the 1990s championed the formal distinction and regionally limited boundaries of the style, but a more critical analysis of the formal characteristics of the style, in conjunction with the revised chronological sequence, suggest that the original Nordeste artists may in fact have participated in a hemisphere-wide artistic network, ranging as far north as the American Southwest.\",\"PeriodicalId\":151852,\"journal\":{\"name\":\"Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52713/ulqy5064\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52713/ulqy5064","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This essay offers an updated chronological sequence and stylistic analysis of one of the oldest dated Pre-Columbian rock art styles in the ancient Americas, the Nordeste Style centered in northeastern Brazil. Since its first publication in the 1990s, the Nordeste Style and its various sub-styles have been dated c. 8500 bce – 200 ce, but more recent and updated dating technology provides a revised chronology of the style, and a reconsideration of the relationship of the style to the broader Pre-Columbian world. The original scholarship from the 1990s championed the formal distinction and regionally limited boundaries of the style, but a more critical analysis of the formal characteristics of the style, in conjunction with the revised chronological sequence, suggest that the original Nordeste artists may in fact have participated in a hemisphere-wide artistic network, ranging as far north as the American Southwest.