现代科学话语中的纪实漫画与乌克兰漫画空间

O. Hudoshnyk
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引用次数: 1

摘要

提出了纪实漫画在现代多学科科学空间中的特点,提出了非线性史学(叙事、口述历史、纪念)和后文献主义的方法。科学论述侧重于漫画中对现实的解释类型,流派和风格特征的混合,读者共情参与的类型和形式,图形新闻的组成细节。科学家们特别关注的是“失落的历史和失落的历史”(N. Chute)的表现形式,以及扩大人类记忆空间和历史叙事的手段。纪实漫画以视觉叙事的形式作为一种记忆的存档者(N. Mickwitz),作为理解和体验历史创伤的有效手段,其现代科学研究方向将漫画研究带入全球纪念和历史视角研究的空间。在其自身的体裁定义中,叙事性、时间延迟性和主观评价的准确性得以实现。以乌克兰漫画空间的形成为例,分析了英雄叙事与纪实叙事加速、几乎同时展开的原则,分析了扎哈罗夫漫画《意志》、漫画小说《洞》的纪实主义特点。以《被遗忘的祖先的阴影》为基础,对喜剧新闻形式的纪录片叙事进行了研究。图文故事”、多平台(dos-a-dos格式的书、漫画书、youtube上的音频表演)混合呈现的主题叙事在“地下天空”出版物中得到说明。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Documentary comics in modern scientific discourse and Ukrainian comics space
The characteristics of documentary comics in modern multidisciplinary scientific space is presented, the methods of nonlinear historiography (narrative, oral history, commemoration) and post-documentalism are presented. The scientific discourse focuses on the types of interpretation of reality in comics, the hybridity of genre and style features, the types and forms of empathic involvement of the reader, the compositional specifics of graphic journalism. Scientists’ particular attention is focused on the forms of representation of the “lost history and the history of the lost” (N. Chute), on the means of expanding the space of human memory and historical narrative. The modern direction of scientific research, where documentary comics act as a kind of memory archiver in the form of a visual narrative (N. Mickwitz), as an effective means of understanding and experiencing the historical trauma, brings comics’ studies into the space of global commemorative and historical perspective research. In its own working definition of the genre, narrative, temporal deferment, and veracity of subjective evaluation are actualized. Using the formation example of the Ukrainian comic-space, the principles of accelerated and almost simultaneous deployment of the heroic and documentary narratives are characterized, the features of documentalism in the comic “Will”, the graphic novel “Hole” by S. Zakharov are analyzed. Documentary storytelling in the format of comic journalism is investigated on the basis of the collection “Shadows of forgotten ancestors. Graphic stories”, multiplatform (dos-a-dos format book, comic book, audio performance on YuoTube) hybrid presentation of thematic narrative is illustrated within the “Underground Sky” publication.
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