{"title":"摄影师金荣甲对济州岛的空间意义——以他的自传体散文集“为岛着迷,为电影着迷”“在岛上的是我”为中心","authors":"Si-Youl Jeong","doi":"10.47520/jjs.2023.60.1","DOIUrl":null,"url":null,"abstract":"This study examines the spatial meaning of Jeju Island which is projected in \nPhotographer Kim Young-Gap’s autobiographical essay collections, Fascinated by the \nIsland, Obsessed by the Film(1996) and It was I that was in the island(2004). Kim \nYoung-Gap was born in Buyeo, Chungcheongnam-do in 1957 and settled in Jeju Island \nin 1985 after coming in and out of the island frequently from 1982. And 20 years later, \non May 29, 2005, he ended his six-year struggle with Lou Gehrig’s disease and passed \naway in gallery Dumoak he had founded. Published in 1996, 10 years after entering the \nisland, Fascinated by the Island, Obsessed by the Film is a book that contains the \nreason for entering the island and his early life in there. It was written as the \nintermediate examination over his Jeju life. Published in 2004, a year before his death, \nIt was I that was in the island is a book written in anticipation of his own end. It can \nbe said to be the last summary of his 20 years in Jeju. Jeju Island was more than a \nplace for photography for Kim Young-Gap. Jeju Island served as various spaces for him \nuntil he established himself as the existence of ‘Dumoak’ that means Mt. Halla in his \nstatus as a stranger, not a native. This article considers the spatial meaning of Jeju \nIsland for Kim Young-Gap in three aspects: ‘communication and healing’, ‘cutting \nconnections and cultivation’, and ‘self-fulfilling prophecy and rest’.","PeriodicalId":308436,"journal":{"name":"Society for Jeju Studies","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Spatial Meaning of Jeju Island to Photographer Kim Young-Gap - Focusing on His Autobiographical Essay Collections, 『Fascinated by the Island, Obsessed by the Film』and『It was I that was in the Island』–\",\"authors\":\"Si-Youl Jeong\",\"doi\":\"10.47520/jjs.2023.60.1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study examines the spatial meaning of Jeju Island which is projected in \\nPhotographer Kim Young-Gap’s autobiographical essay collections, Fascinated by the \\nIsland, Obsessed by the Film(1996) and It was I that was in the island(2004). Kim \\nYoung-Gap was born in Buyeo, Chungcheongnam-do in 1957 and settled in Jeju Island \\nin 1985 after coming in and out of the island frequently from 1982. And 20 years later, \\non May 29, 2005, he ended his six-year struggle with Lou Gehrig’s disease and passed \\naway in gallery Dumoak he had founded. Published in 1996, 10 years after entering the \\nisland, Fascinated by the Island, Obsessed by the Film is a book that contains the \\nreason for entering the island and his early life in there. It was written as the \\nintermediate examination over his Jeju life. Published in 2004, a year before his death, \\nIt was I that was in the island is a book written in anticipation of his own end. It can \\nbe said to be the last summary of his 20 years in Jeju. Jeju Island was more than a \\nplace for photography for Kim Young-Gap. Jeju Island served as various spaces for him \\nuntil he established himself as the existence of ‘Dumoak’ that means Mt. Halla in his \\nstatus as a stranger, not a native. This article considers the spatial meaning of Jeju \\nIsland for Kim Young-Gap in three aspects: ‘communication and healing’, ‘cutting \\nconnections and cultivation’, and ‘self-fulfilling prophecy and rest’.\",\"PeriodicalId\":308436,\"journal\":{\"name\":\"Society for Jeju Studies\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Society for Jeju Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47520/jjs.2023.60.1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Society for Jeju Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47520/jjs.2023.60.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Spatial Meaning of Jeju Island to Photographer Kim Young-Gap - Focusing on His Autobiographical Essay Collections, 『Fascinated by the Island, Obsessed by the Film』and『It was I that was in the Island』–
This study examines the spatial meaning of Jeju Island which is projected in
Photographer Kim Young-Gap’s autobiographical essay collections, Fascinated by the
Island, Obsessed by the Film(1996) and It was I that was in the island(2004). Kim
Young-Gap was born in Buyeo, Chungcheongnam-do in 1957 and settled in Jeju Island
in 1985 after coming in and out of the island frequently from 1982. And 20 years later,
on May 29, 2005, he ended his six-year struggle with Lou Gehrig’s disease and passed
away in gallery Dumoak he had founded. Published in 1996, 10 years after entering the
island, Fascinated by the Island, Obsessed by the Film is a book that contains the
reason for entering the island and his early life in there. It was written as the
intermediate examination over his Jeju life. Published in 2004, a year before his death,
It was I that was in the island is a book written in anticipation of his own end. It can
be said to be the last summary of his 20 years in Jeju. Jeju Island was more than a
place for photography for Kim Young-Gap. Jeju Island served as various spaces for him
until he established himself as the existence of ‘Dumoak’ that means Mt. Halla in his
status as a stranger, not a native. This article considers the spatial meaning of Jeju
Island for Kim Young-Gap in three aspects: ‘communication and healing’, ‘cutting
connections and cultivation’, and ‘self-fulfilling prophecy and rest’.