{"title":"Jan Miense Molenaer的早期纸牌玩家和老彼得·勃鲁盖尔之后的农民","authors":"Eva J. Allen","doi":"10.1080/00233609.2021.1873414","DOIUrl":null,"url":null,"abstract":"Summary This essay proposes that Haarlem genre artist Jan Miense Molenaer created two paintings, only known today from photographs in the Rijksbureau voor Kunsthistorische Documentatie (RKD). The pictures depict peasants; two are playing cards, others are observers. Molenaer plausibly used print prototypes after the designs of Pieter Bruegel the Elder, adding observations from life of his present day. The figures are the same in the two pictures, concerning their costumes and gestures. Some slightly differ in their size and emotional reaction in one work with the employment of an extra participant. Repeating protagonists from one painting to the next with little change was a workshop practice Molenaer undertook frequently after he dated his paintings in 1629. It is suggested the artist may have known the prints after the elder Bruegel’s inventions through the Antwerp print market, or more directly through Adriaen Brouwer.","PeriodicalId":164200,"journal":{"name":"Konsthistorisk tidskrift/Journal of Art History","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Jan Miense Molenaer’s early card players and the peasant heads after Pieter Bruegel the elder\",\"authors\":\"Eva J. Allen\",\"doi\":\"10.1080/00233609.2021.1873414\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Summary This essay proposes that Haarlem genre artist Jan Miense Molenaer created two paintings, only known today from photographs in the Rijksbureau voor Kunsthistorische Documentatie (RKD). The pictures depict peasants; two are playing cards, others are observers. Molenaer plausibly used print prototypes after the designs of Pieter Bruegel the Elder, adding observations from life of his present day. The figures are the same in the two pictures, concerning their costumes and gestures. Some slightly differ in their size and emotional reaction in one work with the employment of an extra participant. Repeating protagonists from one painting to the next with little change was a workshop practice Molenaer undertook frequently after he dated his paintings in 1629. It is suggested the artist may have known the prints after the elder Bruegel’s inventions through the Antwerp print market, or more directly through Adriaen Brouwer.\",\"PeriodicalId\":164200,\"journal\":{\"name\":\"Konsthistorisk tidskrift/Journal of Art History\",\"volume\":\"28 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Konsthistorisk tidskrift/Journal of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00233609.2021.1873414\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Konsthistorisk tidskrift/Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00233609.2021.1873414","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章提出哈勒姆类型艺术家Jan Miense Molenaer创作了两幅画,今天只从Rijksbureau voor Kunsthistorische Documentatie (RKD)的照片中得知。这些画描绘的是农民;两个人在打牌,其他人是观察者。莫伦纳尔在老彼得·勃鲁盖尔的设计之后,合理地使用了印刷原型,并添加了他现在生活中的观察。两幅画中的人物在服装和姿势上都是一样的。在一项工作中,一些人的规模和情绪反应略有不同,因为他们雇佣了一位额外的参与者。从一幅画到下一幅画重复主角,几乎没有变化,这是Molenaer在1629年为他的画作注明日期后经常进行的工作室实践。有人认为,艺术家可能通过安特卫普的印刷市场,或者更直接地通过阿德里安·布劳威尔,在老勃鲁盖尔的发明之后知道了这些版画。
Jan Miense Molenaer’s early card players and the peasant heads after Pieter Bruegel the elder
Summary This essay proposes that Haarlem genre artist Jan Miense Molenaer created two paintings, only known today from photographs in the Rijksbureau voor Kunsthistorische Documentatie (RKD). The pictures depict peasants; two are playing cards, others are observers. Molenaer plausibly used print prototypes after the designs of Pieter Bruegel the Elder, adding observations from life of his present day. The figures are the same in the two pictures, concerning their costumes and gestures. Some slightly differ in their size and emotional reaction in one work with the employment of an extra participant. Repeating protagonists from one painting to the next with little change was a workshop practice Molenaer undertook frequently after he dated his paintings in 1629. It is suggested the artist may have known the prints after the elder Bruegel’s inventions through the Antwerp print market, or more directly through Adriaen Brouwer.