一个标志的解析(1).关于petit mont passage墓中的一块新石器时代石板(法国阿尔松)

S. Cassen, Valentin Grimaud
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引用次数: 0

摘要

我们的交流将使用“分辨率”这个词,以解决史前符号的原始含义和新的技术能力,使检测古代石头雕刻成为可能。对属于如此古老时期(6500 BP)的图像程序的解释依赖于岩石表面材料移除的精确清单,以便可以详细标记所有迹象。为此,我们将重点关注PetitMont (Arzon, France)新石器时代的石堆中保存的两个通道坟墓中的一个。在那里,一个刻有所谓“太阳轮”图案的直形器早已为人所知;然而,这种类型的母题既不符合时间背景,也不符合布列塔尼巨石中通常的符号语料库。在倾斜照明和3D建模下仔细记录图像汇编,可以在几个信息层次(轮廓,从岩石表面去除材料,颜色和形态变化)上产生图形合成。所有的标志都是基于它们的中空布局,这使我们能够识别出四个主要的主题:一个由17个抛光斧头刀片组成的圆形构图;液体元素的表示;两幅船的描绘,一幅有船员,另一幅无人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Resolution of a sign (1). Regarding a Neolithic slab in the petit mont passage grave (Arzon, France)
Our communication will make use of the word “resolution” in order to address both the original meanings of prehistoric signs and the new technical capabilities that make it possible to detect ancient engravings on stone. An interpretation of an iconographic program belonging to such an old period (6500 BP) relies on a precise inventory of material removals on the rock surface so that all the signs can be detailed and labelled. For this, we will focus on one of the two passage graves preserved in the Neolithic cairn of PetitMont (Arzon, France). There, an engraved orthostat displaying a figure of a so-called “solar wheel” has been known for a long time; however, this type of motif neither fits the chronological context nor the usual corpus of signs in the megaliths of Brittany. A careful recording combining a compilation of images under oblique lighting and 3D modelling makes it possible to produce a graphical synthesis at several levels of information (contours, removal of material from the rock surface, chromatic and morphological alterations). All the signs identified on the basis of their hollow layouts allow us to recognize four main motifs: a circular composition consisting of 17 polished axe blades; a representation of a liquid element; two depictions of boats, one with crew, the other unmanned.
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