Sabina Giergiel
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摘要

战后散居:近期文学中对塞尔维亚和克罗地亚移民的描述的一些评论本文旨在展示塞尔维亚和克罗地亚的现代文学如何描述二战后时期的早期南斯拉夫移民。作者描述了二战前和二战期间的历史状况,描绘了塞尔维亚和克罗地亚移民群体在心理背景上的不同。但文章中分析的书籍表明,在国外,塞尔维亚人和克罗地亚人表现出相同的态度,并参与相同的仪式,排斥和侮辱。该分析基于两篇文章:一篇是由移居加拿大的塞尔维亚人Vladimir tasiki所写,另一篇是由具有多年移民经历的克罗地亚妇女Daša drndiki所写。在他们的书中,两位作者描述了两国成员在国外形成强大的团结团体,并表现出民族主义观点。塔西奇和德伦迪奇都是现代文学作家,对艺术中的新奇事物持开放态度。此外,他们公开反对南斯拉夫解体后产生的以民族为导向的国家模式。他们还批评了战后移民的代表。这篇文章的作者因此得出结论,经过多年对战后移民的沉默,当代移民社区以两种截然不同的方式出现在塞尔维亚和克罗地亚的文学和学术话语中。一类是以政治和美学上保守的艺术家和学者为代表,具有明显的道歉性质。另一方,以德伦迪奇和塔西奇为代表,表达了一种批判的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Powojenna diaspora. Kilka uwag o obrazie serbskiej i chorwackiej emigracji w najnowszej literaturze
The Post-War Diaspora: Some Remarks on the Depiction of Serbian and Croatian Emigrants in Recent LiteratureThe essay aims to show how modern literature of both Serbia and Croatia depicts the early South Slavic emigration of the post-World War II period. Describing historical conditions before and during WWII, the author depicts Serbian and Croatian emigration groups which differ one from the other in their mental backgrounds. But the books analysed in the essay show that, when abroad, both Serbs and Croats present identical attitudes and are involved in the same rituals, exclusion and stigmatisa­tion. The analysis is based on two texts: one written by Vladimir Tasić, a Serb emigrant to Canada, the other by Daša Drndić, a Croatian woman of many years’ emigrant experience. In their books the two authors describe members of both nations who form strongly consolidated groups abroad and exhibit nationalistic viewpoints. Both Tasić and Drndić are modern literary writers, open to novelty in art. Furthermore, they openly reject the nationally oriented state models which originated after the collapse of Yugoslavia. They also criticise representatives of the post-war emigration. The author of the essay thus concludes that, after years of silence about the post-war diaspora, the contempo­rary emigrant communities emerge in two contrasting ways in Serbian and Croatian literature and in scholarly discourse. One is represented by politically and aesthetically conservative artists and schol­ars, and has a clearly apologetic character. The other, represented by Drndić and Tasić, expresses a critical approach.
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