Bambang Suwarno的Wayang Kulit Purwa人物创作作品透视(Sanggar Ciptoning [Ciptoning艺术工作室],Sangkrah)

Bagaskoro Ardhi, S. Supriyadi, Zaini Rohmad
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引用次数: 0

摘要

爪哇皮偶表演是爪哇地区生存和发展的一种艺术形式。Wayang在爪哇语中的意思是“影子”。研究的目的是1)找出wayang kulit purwa姿势的重要位置,2)找出wayang kulit purwa创作的可视化。本研究为描述性质的研究,采用直接观察法、深度访谈法和文献法收集资料。本研究采用的抽样策略是滚雪球抽样。数据验证采用数据三角剖分法。Bambang Suwarno通过开发新作品并将其整合到现有的wayang kuit作品中来创作他的作品,旨在增加wayang词汇量。木偶师们的反应表明,作为木偶的Bambang Suwarno在创作作品时具有概念和生产力,可以说是wayang美术专家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Perspective of Wayang Kulit Purwa Figure Creation Product by Bambang Suwarno (A Case Study on Sanggar Ciptoning [Ciptoning Art Studio], Sangkrah)
Javanese wayang kulit (leather puppet) performance is a form of art living and developing in Java. The word Wayang in Javanese means “shadow”. The objectives of research were 1) to find out the important position of wayang kulit purwa position, and 2) to find out the visualization of wayang kulit purwa creation. This study was a descriptive qualitative research using straightforward observation, in-depth interview, and documentation as the technique of collecting data. The sampling strategy used in this study was snowball sampling. Data validation was carried out using data triangulation. Bambang Suwarno created his work by developing a new work and integrating it into the existing wayang kulit work, aiming to increase the wayang vocabularies. The dalangs (puppeteers)’ response indicated that Bambang Suwarno as dalang figure could be stated as wayang fine art expert as he had concept and productivity in creating his works.
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