丹尼斯·德·鲁热蒙与西方的爱情观

Željko Šarić
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摘要

本文分析了瑞士作家丹尼斯·德·吕格蒙在其名著《西方世界的爱情》中所触及的关键领域。我们批判性地阅读了鲁日蒙的思想,即爱-激情作为特里斯坦和伊索尔德神话的基本指导线索,仍然至高无上地统治着现代人的无意识存在,使他对爱情的戏剧产生了片面的看法。根据他的论证,我们考察了宫廷爱情和骑士爱情、卡特里异端和游吟诗人爱情诗歌之间的联系。Denis de Rougemont对比了eros,它点燃了进入死亡黑暗的激情,与agape,即基督徒对邻居的爱。我们质疑德·鲁日蒙通过将仁慈的爱确立为一种必要的道德选择来解决爱的问题,是否能成为现代人满意的答案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DENIS DE ROUGEMONT AND THE WESTERN CONCEPTION OF LOVE
This paper analyses the key areas reached by the Swiss author Denis de Rougemont in his famous work Love in the Western World. We critically read de Rougemont's thought that love-passion, as the basic guiding thread of the myth of Tristan and Isolde, still sovereignly rules the unconscious being of modern man, giving him a one-sided vision of the play about love. Following his argumentation, we examine the connections between courtly and chivalrous love, Cathar heresy and troubadour love poetry. Denis de Rougemont contrasts eros, which ignites passion that descends into the darkness of death, with agape, i.e. the Christian love for one's neighbour. We question whether de Rougemont's solution to the problem of love by establishing merciful love as a necessary moral choice can be a satisfactory answer for modern man.
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