{"title":"19世纪帝国科学院古典考古博物馆:组织和转移藏品到帝国冬宫的历史","authors":"Margarita F. Khartanovich, M. Khartanovich","doi":"10.21638/SPBU27.2021.102","DOIUrl":null,"url":null,"abstract":"The Museum of Classical Archeology of the Imperial Academy of Sciences is the successor to the 18th-century Kunstkamera of the Academy of Sciences in term of collections of classical antiquities. This article discusses in detail the stages of development of the Museum of Classical Archaeology as an institution within the structure of the Academy of Sciences through the Cabinet of Medals and Rarities, Numismatic Museum, and the Museum of Classical Archaeology. The fund of the museum consisted of ancient Greek and Roman coins, ancient Russian coins, coins from oriental cultures, ancient Greek vases, antiquities from ornamental stone, glass, precious metals, impressions of medals and coins, items from archaeological excavations and treasures, manuscripts, drawings of objects and photographs. Special attention is paid to the correlation of the possibilities of museum collections of the Academy of Sciences and the Imperial Hermitage in terms of storage, exhibition, research, and promotion of archaeological collections in the second half of the 19th century. The reasons for the very active transfer of the Academy of Sciences’ archaeological collections to the Hermitage in the 19th century and the types of compensation received by the Academy for the collections are discussed. The first archaeological collections donated from the Academy of Sciences to the Hermitage on the initiative of the chairman of the Imperial Archaeological Commission S. G. Stroganov were the “Siberian collection” of Peter I and the Melgunov treasure. The collection of the Museum of Classical Archeology also attracted the attention of art critic I. V. Tsvetaev when arranging funds for the new Museum of Fine Arts at Moscow University. 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引用次数: 0
摘要
帝国科学院古典考古博物馆在古典文物收藏方面继承了18世纪科学院的kunstcamera。本文详细论述了古典考古博物馆作为科学院结构下的一个机构的发展阶段,包括奖章与珍品陈列室、钱币博物馆和古典考古博物馆。博物馆的资金包括古希腊和古罗马的硬币、古代俄罗斯的硬币、东方文化的硬币、古希腊的花瓶、装饰石的古董、玻璃、贵金属、奖章和硬币的印痕、考古发掘和宝藏中的物品、手稿、物体的绘画和照片。特别关注科学院和帝国冬宫在19世纪下半叶考古收藏的储存、展览、研究和推广方面的可能性的相关性。讨论了19世纪科学院非常积极地将考古藏品转移到艾尔米塔什的原因,以及科学院对这些藏品获得的补偿类型。在帝国考古委员会主席S. G. Stroganov的倡议下,科学院捐赠给冬宫的第一批考古收藏品是彼得一世的“西伯利亚收藏品”和梅尔古诺夫宝藏。古典考古博物馆的藏品在为莫斯科大学的新美术博物馆安排资金时,也引起了艺术评论家I. V.茨维塔耶夫的注意。本文介绍了科学流通档案文件,展示了19世纪科学院机构的博物馆工作状况,描述了古典考古博物馆结构的文件,以及藏品的组成。
Museum of Classical Archeology of the 19th-century Imperial Academy of Sciences: The history of organizing and transferring collections to the Imperial Hermitage
The Museum of Classical Archeology of the Imperial Academy of Sciences is the successor to the 18th-century Kunstkamera of the Academy of Sciences in term of collections of classical antiquities. This article discusses in detail the stages of development of the Museum of Classical Archaeology as an institution within the structure of the Academy of Sciences through the Cabinet of Medals and Rarities, Numismatic Museum, and the Museum of Classical Archaeology. The fund of the museum consisted of ancient Greek and Roman coins, ancient Russian coins, coins from oriental cultures, ancient Greek vases, antiquities from ornamental stone, glass, precious metals, impressions of medals and coins, items from archaeological excavations and treasures, manuscripts, drawings of objects and photographs. Special attention is paid to the correlation of the possibilities of museum collections of the Academy of Sciences and the Imperial Hermitage in terms of storage, exhibition, research, and promotion of archaeological collections in the second half of the 19th century. The reasons for the very active transfer of the Academy of Sciences’ archaeological collections to the Hermitage in the 19th century and the types of compensation received by the Academy for the collections are discussed. The first archaeological collections donated from the Academy of Sciences to the Hermitage on the initiative of the chairman of the Imperial Archaeological Commission S. G. Stroganov were the “Siberian collection” of Peter I and the Melgunov treasure. The collection of the Museum of Classical Archeology also attracted the attention of art critic I. V. Tsvetaev when arranging funds for the new Museum of Fine Arts at Moscow University. The article introduces into scientific circulation archival documents, showing the state of the museum work in the 19th century in the institution of the Academy of Sciences, documents depicting the structure of the Museum of Classical Archaeology, and the composition of collections.