阅读非法档案:海伦·麦高恩的《汽车城夫人》中的性别、劳动和种族

Holly M. Karibo
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引用次数: 1

摘要

这篇文章探讨了海伦·麦高恩的自传《汽车城夫人》中的性别、种族和劳工政治。这本自传是由一位从20世纪20年代到60年代在密歇根州底特律做妓女和夫人的女人写的。本文以文本为例,探讨了历史学家如何利用自传来挖掘从事非法劳动的妇女的主观经历。在将女性主义文学理论与社会和劳动历史学家的方法论相结合的过程中,本文超越了文本的严格字母,以分析作者如何讲述她的个人叙述。书中认为,麦高恩首先将她的故事构建为一个劳工的故事,并在此过程中,对上世纪中叶工业城市中的性别、阶级和种族不平等进行了尖锐的批评。麦高恩提出了一种原始的女权主义辩护,认为性工作是一种工作,并推动卖淫合法化,而在这个时代,罪恶法典仍然严格保持不变。通过分析像《汽车城夫人》这样的自传,将其作为主体性的建构而不是简单的经验来源,我们可以对经常被置于劳动历史边缘的劳动人民的声音获得重要的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading the Archives of the Illicit: Gender, Labour, and Race in Helen McGowan’s Motor City Madam
This essay explores the gender, racial, and labour politics in Helen McGowan’s Motor City Madam, an autobiography written by a woman who worked as a prostitute and madam in Detroit, Michigan from the 1920s to the 1960s. Using the text as a case study, it examines how historians can utilize autobiography in order to excavate the subjective experiences of women who worked in illicit forms of labour. In blending feminist literary theory with the methodologies of social and labour historians, this essay moves beyond the strict letter of the text in order to analyze how the author tells her personal narrative. It argues that McGowan frames her story first and foremost as one of labour, and in doing do, forms pointed critiques of gender, class, and racial inequality in industries cities at mid-century. McGowan develops a proto-feminist defense of sex work as work, and pushes for legalized prostitution at a time in which vice codes remained strictly intact. By analyzing autobiographies like Motor City Madam as constructions of subjectivity rather than simply empirical sources, we can gain important insight to the voices of working peoples often relegated to the margins of labour history.
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