普罗科菲耶夫后期三首钢琴奏鸣曲浅析

Siwen Wang
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引用次数: 1

摘要

谢尔盖·谢尔盖耶维奇·普罗科菲耶夫(1891年4月23日- 1953年3月5日),前苏联著名指挥家、作曲家、钢琴家。他的作品涵盖了音乐和艺术方向的广泛流派和形式,共计100多部作品。其中,奏鸣曲是普罗科菲耶夫一生酷爱创作的主题。他后期创作的第六、第七、第八首钢琴奏鸣曲气势磅礴。它们也被称为“战争奏鸣曲”,是他最具代表性的作品。本文从普罗科菲耶夫所处的时代背景出发,分析总结了这三首钢琴奏鸣曲的结构、后期创作的特点以及对其风格的把握。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Brief Analysis of Prokofiev's Three Later Piano Sonatas
Sergey Sergeyevich Prokofiev (April 23, 1891 March 5, 1953) was a famous conductor, composer and pianist of the former Soviet Union. His works cover a wide range of genres and forms in the direction of music and art, totaling more than 100 works. Among them, Sonata is the theme that Prokofiev loved to create all his life. The sixth, seventh and eighth Piano Sonatas created in his later period have great momentum. They are also called "Sonata of War", and are his most representative works. From the background of Prokofiev's times, this paper analyses and summarizes the structure of the three piano sonatas, the characteristics of their later creation and the grasp of their styles.
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