Sławomir Studniarz
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摘要

本文旨在从21世纪第三个十年的视角重新审视爱伦·坡的文学遗产。本文首先简要讨论了它在美国和英国的复杂接受情况,以及它在当代文化中引人注目的生动存在。然而,主要的争论集中在爱伦坡的一些小说是如何揭示了人类造成的迫在眉睫的生态灾难所引起的当今环境问题的惊人趋同,以及动物批评所提供的见解。首先,从生态批评的角度对爱伦·坡的小说选集进行分析。我想说的是,他的小说至少有一部分可以被纳入“美国环保主义者的话语”。我保证,《埃罗斯与卡米翁的对话》和《莫诺斯与乌纳的对话》传达了明确的生态信息,《阿恩海姆的领地》展现了自然世界的艺术升华,而《仙女岛》则揭示了现代盖亚假说的预言。我还在动物批评的框架内研究了《梅岑格斯坦》、《黑猫》和《莫尔格街谋杀案》等故事,动物批评研究的是智人与其他物种之间的动态关系。在这种情况下,我也简要地提到了乌鸦。本文所提出的思考或许有助于理解为什么坡的小说在人类世的今天如此吸引我们,同时也试图平衡坡在大众想象中的形象——作为一个黑暗、恐怖、逃避现实的故事的作者,他对我们生活的世界几乎没有什么可说的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spuścizna literacka Edgara Allana Poego w dwudziestym pierwszym wieku a nowe paradygmaty badawcze
The aim of the article is to re-examine the literary legacy of Edgar Allan Poe from the perspective of the third decade of the 21st century. The starting point is a brief discussion of its complicated reception in the USA and Great Britain as well as its strikingly vivid presence in the contemporary culture. However, the main argument centres on how some of the fiction written by Poe reveals a striking convergence with the present-day environmental concerns engendered by an imminent man-wrought ecological catastrophe, and with the insights offered by zoocriticism. First, I analyse the selected stories by Poe from the perspective of ecocriticism. I wish to argue that at least some portion of his fiction could be included in “American environmentalist discourse”. I undertake to demonstrate that The Conversation of Eiros and Charmion and The Colloquy of Monos and Una carry a clear ecological message, The Domain of Arnheim features the artistic elevation of the natural world, while The Island of the Fay reveals the prefigurings of the modern Gaia Hypothesis. I also take a look at the stories Metzengerstein, The Black Cat, and The Murders in the Rue Morgue within the framework offered by zoocriticism, which studies the dynamics of the relation between Homo sapiens and other species. In this context I briefly refer to The Raven as well. The presented considerations may help understand why Poe’s fiction appeals to us so much now, in the age of Anthropocene, and at the same time try to counterbalance the image of Poe enshrined in the popular imagination – as the author of dark, terrifying, escapist stories, who has little to say about the world we live in.
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